Why did human beings throughout the millennia so often think about a doomsday? Could there be a profit to our inner pleasure and pain equilibrium, when believing that doomsday is nearing, an idea suggested by Sigmund Freud? An analogous instinctive dynamics was thought by Nietzsche who wrote that human beings do prefer to want the nothingness rather than not to want anything at all. In this essay, 'Melancholia', a movie by Lars von Trier, is taken as an exquisite masterpiece, a grandiose exposition of Schopenhauer and Nietzsche Philosophies.
This paper interprets von Trier’s Dogville as a suspension of belief that provokes a re-evaluation o...
Gravity and Melancholia both direct our attention toward the nonhuman things that inhabit our world....
Celem pracy jest przybliżenie problematyki melancholii w twórczości Larsa von Triera na przykładzie ...
Why did human beings throughout the millennia so often think about a doomsday? Could there be a prof...
This article analyses some of the aesthetic and philosophical strands of Lars von Trier's Melancholi...
This essay interrogates the semantics of finality in Lars von Trier’s Melancholia (2011), in the lig...
Lars von Trier's works give us allways plenty of exquisite philosophical food for thought, mostly in...
Melancholia may not teach us how to live or die authentically, but it cannot really be faulted for f...
Ambiguity of MelancholyIn this essay, we attempt to convey Lars von Trier’s Melancholia in the light...
This paper discusses two films released in 2011, Lars Von Trier's Melancholia and Jeff Nichols Take ...
Lars von Trier’s Melancholia offers a fascinating exploration of cinematic romanticism and the aesth...
This paper provides a comparative analysis of Lars von Trier's Melancholia (2011) and Terrence Malic...
The following dissertation investigates whether Lars von Trier's film representations of depression ...
The article addresses the issue of experience in relation to post-secular discourse. The phenomenon ...
In the movie The Sacrifice (1986), directed by Andreï Tarkovski, nuclear war threatens the world and...
This paper interprets von Trier’s Dogville as a suspension of belief that provokes a re-evaluation o...
Gravity and Melancholia both direct our attention toward the nonhuman things that inhabit our world....
Celem pracy jest przybliżenie problematyki melancholii w twórczości Larsa von Triera na przykładzie ...
Why did human beings throughout the millennia so often think about a doomsday? Could there be a prof...
This article analyses some of the aesthetic and philosophical strands of Lars von Trier's Melancholi...
This essay interrogates the semantics of finality in Lars von Trier’s Melancholia (2011), in the lig...
Lars von Trier's works give us allways plenty of exquisite philosophical food for thought, mostly in...
Melancholia may not teach us how to live or die authentically, but it cannot really be faulted for f...
Ambiguity of MelancholyIn this essay, we attempt to convey Lars von Trier’s Melancholia in the light...
This paper discusses two films released in 2011, Lars Von Trier's Melancholia and Jeff Nichols Take ...
Lars von Trier’s Melancholia offers a fascinating exploration of cinematic romanticism and the aesth...
This paper provides a comparative analysis of Lars von Trier's Melancholia (2011) and Terrence Malic...
The following dissertation investigates whether Lars von Trier's film representations of depression ...
The article addresses the issue of experience in relation to post-secular discourse. The phenomenon ...
In the movie The Sacrifice (1986), directed by Andreï Tarkovski, nuclear war threatens the world and...
This paper interprets von Trier’s Dogville as a suspension of belief that provokes a re-evaluation o...
Gravity and Melancholia both direct our attention toward the nonhuman things that inhabit our world....
Celem pracy jest przybliżenie problematyki melancholii w twórczości Larsa von Triera na przykładzie ...