International audienceA study of the discourse on music in Ireland emanating from public and semi-public bodies dealing with culture and from the music world reveals that a polarised conception of music which originated at the end of the 19th century has lasted throughout the 20th century. This essay highlights the key moments of that discourse and looks at efforts made by the Arts Council and the Department of Arts to overcome a narrow and often lingering ideological approach to music.L’étude du discours sur la musique en Irlande émanant d’institutions gouvernementales ou d’organismes culturels semi-indépendants et du monde musical montre que la conception polarisée de la musique telle qu’elle s’est développée à la fin du XIXe siècle perdu...
This paper firstly reviews recent scholarship on music and identity in Ireland. The review detects a...
This thesis surveys musical cultureâs relationship with Irish nationalism after the Irish confederac...
This dissertation examines Comhaltas Ceoltóirí Éireann (The Irish Musicians\u27 Association) and its...
International audienceA study of the discourse on music in Ireland emanating from public and semi-pu...
International audienceIrish music holds pride of place among the cultural attributes defining Irelan...
Irish music holds pride of place among the cultural attributes defining Ireland, and its role in sha...
This essay considers the politics of music publication by the Irish state in the early decades of in...
Over the past thirty years, Irish music has spread all over the world and, on a par with Irish liter...
The course of music in Ireland in the last two centuries presents a depressing picture. The creativ...
This dissertation will examine the relationship between state, nation and music in independent Irel...
There are a number of reasons that motivate the undertaking of research on the topic of the music s...
Participating in music provides a highly personal, affective experience, while also orienting indivi...
This study presents a comprehensive, densely textured survey of the roots, development, and aestheti...
Opinions about Irish traditional music today differ greatly, and its actors are to be met all over t...
This paper firstly reviews recent scholarship on music and identity in Ireland. The review detects a...
This thesis surveys musical cultureâs relationship with Irish nationalism after the Irish confederac...
This dissertation examines Comhaltas Ceoltóirí Éireann (The Irish Musicians\u27 Association) and its...
International audienceA study of the discourse on music in Ireland emanating from public and semi-pu...
International audienceIrish music holds pride of place among the cultural attributes defining Irelan...
Irish music holds pride of place among the cultural attributes defining Ireland, and its role in sha...
This essay considers the politics of music publication by the Irish state in the early decades of in...
Over the past thirty years, Irish music has spread all over the world and, on a par with Irish liter...
The course of music in Ireland in the last two centuries presents a depressing picture. The creativ...
This dissertation will examine the relationship between state, nation and music in independent Irel...
There are a number of reasons that motivate the undertaking of research on the topic of the music s...
Participating in music provides a highly personal, affective experience, while also orienting indivi...
This study presents a comprehensive, densely textured survey of the roots, development, and aestheti...
Opinions about Irish traditional music today differ greatly, and its actors are to be met all over t...
This paper firstly reviews recent scholarship on music and identity in Ireland. The review detects a...
This thesis surveys musical cultureâs relationship with Irish nationalism after the Irish confederac...
This dissertation examines Comhaltas Ceoltóirí Éireann (The Irish Musicians\u27 Association) and its...