One hand at his hip, the other touching the side of a knowing smile, a Beardsleyan portrait of a confident Oscar Wilde graces the cover of Gregory Mackie’s book. Like the many representations of Wilde that Mackie details within, the portrait is a counterfeit. In his study of Wilde’s earliest biographers, impersonators, forgers, and mediums, Mackie explores various efforts at appropriating and re-forging Wilde’s legacy.  
At the centre of David Worrall’s Theatric Revolution a striking tableau is unveiled. It is around 18...
Samuel Ferguson and the Culture of Nineteenth-Century Ireland opens with an account of a paper read ...
Arthur Machen (‘rhymes with blacken,’ as he used to say) is one of the most intriguing writers and p...
Dr. Mackie specializes in Victorian and Modernist literature, drama, and book history. His monograph...
Drawing on correspondence and periodical advertising as well as paratextual and bibliographic detail...
Since his death, Oscar Wilde has only been accessible through documents: those he left behind, and t...
This article investigates the discursive arena in which Oscar Wilde exercised his countercultural an...
To compile a programme of Readings about \u27the curse of the drinking classes\u27 (Oscar Wilde) whi...
On 24 March 2023, international scholars, academics, early career researchers, and members of the pu...
Jeff Nunokawa, Tame Passions of Wilde: The Styles of Manageable Desire. Princeton and Oxford: Prince...
Few writers have captured the imagination of their own time, spawning so much criticism, gossip and ...
Review of Daniel Defoe and the Bank of England: The Dark Arts of Projectors by Valerie Hamilton & Ma...
There are as many definitional models of decadence as there are applications. The history of scholar...
The Turning Key: Autobiography and the Subjective Impulse since 1800 (Jerome Hamilton Buckley) (Revi...
The paper explores Oscar Wilde's " The Cantervill Ghost" with view at showing how the author employs...
At the centre of David Worrall’s Theatric Revolution a striking tableau is unveiled. It is around 18...
Samuel Ferguson and the Culture of Nineteenth-Century Ireland opens with an account of a paper read ...
Arthur Machen (‘rhymes with blacken,’ as he used to say) is one of the most intriguing writers and p...
Dr. Mackie specializes in Victorian and Modernist literature, drama, and book history. His monograph...
Drawing on correspondence and periodical advertising as well as paratextual and bibliographic detail...
Since his death, Oscar Wilde has only been accessible through documents: those he left behind, and t...
This article investigates the discursive arena in which Oscar Wilde exercised his countercultural an...
To compile a programme of Readings about \u27the curse of the drinking classes\u27 (Oscar Wilde) whi...
On 24 March 2023, international scholars, academics, early career researchers, and members of the pu...
Jeff Nunokawa, Tame Passions of Wilde: The Styles of Manageable Desire. Princeton and Oxford: Prince...
Few writers have captured the imagination of their own time, spawning so much criticism, gossip and ...
Review of Daniel Defoe and the Bank of England: The Dark Arts of Projectors by Valerie Hamilton & Ma...
There are as many definitional models of decadence as there are applications. The history of scholar...
The Turning Key: Autobiography and the Subjective Impulse since 1800 (Jerome Hamilton Buckley) (Revi...
The paper explores Oscar Wilde's " The Cantervill Ghost" with view at showing how the author employs...
At the centre of David Worrall’s Theatric Revolution a striking tableau is unveiled. It is around 18...
Samuel Ferguson and the Culture of Nineteenth-Century Ireland opens with an account of a paper read ...
Arthur Machen (‘rhymes with blacken,’ as he used to say) is one of the most intriguing writers and p...