International audienceThis article investigates the Punch Pocket Book, a calendar and notebook sold by Bradbury and Evans between 1843 and 1881, as a business venture. Its main object is to examine the distinctiveness of this lavishly illustrated publication (whose main selling point was a coloured fold-out frontispiece drawn by the Punch senior cartoonists) as the expression of its publishers’ business acumen and fine understanding of the volatile and highly competitive Victorian market. The essay also sheds light on the impact of the Pocket Book on the career on some of the Punch artists, whose work the little volumes efficiently showcased and advertised
This article forms a study of the role of the illustrator in the development of illustrated comic ma...
A review of the book The Punch Brotherhood: Table Talk & Print Culture in Mid-Victorian London, by...
The English magic lantern trade emerged over several decades after 1821, following the appearance of...
International audienceThis article investigates the Punch Pocket Book, a calendar and notebook sold ...
International audienceThis article investigates the Punch Pocket Book, a calendar and notebook sold ...
This article examines the scientific content of the most famous comic journal of the Victorian perio...
© Cambridge University Press 2004. Published version reproduced with the permission of the publisher...
Punch\u27s Pocket Book for 1851 contains an almanac, cash account log, daily diary pages, a variety ...
© 'Culture and Science in the Nineteenth-Century Media', Louise Henson, Geoffrey Cantor, Gowan Dawso...
In the mid 1830s, the engraver Ebenezer Landells and the journalist Henry Mayhew began discussions a...
A study of the humorous and satirical almanac as a print cultural form in the early Victorian period...
This article is concerned with an analysis of class relations and behavior during the Great Exhibiti...
The aim of this study is to survey the toy book, the popular form of Victorian picture books, which ...
This article examines three cartoons produced in the Victorian comic magazine Punch by its chief car...
This article explores the cultural dynamics of branding and mass consumption in Britain during the 1...
This article forms a study of the role of the illustrator in the development of illustrated comic ma...
A review of the book The Punch Brotherhood: Table Talk & Print Culture in Mid-Victorian London, by...
The English magic lantern trade emerged over several decades after 1821, following the appearance of...
International audienceThis article investigates the Punch Pocket Book, a calendar and notebook sold ...
International audienceThis article investigates the Punch Pocket Book, a calendar and notebook sold ...
This article examines the scientific content of the most famous comic journal of the Victorian perio...
© Cambridge University Press 2004. Published version reproduced with the permission of the publisher...
Punch\u27s Pocket Book for 1851 contains an almanac, cash account log, daily diary pages, a variety ...
© 'Culture and Science in the Nineteenth-Century Media', Louise Henson, Geoffrey Cantor, Gowan Dawso...
In the mid 1830s, the engraver Ebenezer Landells and the journalist Henry Mayhew began discussions a...
A study of the humorous and satirical almanac as a print cultural form in the early Victorian period...
This article is concerned with an analysis of class relations and behavior during the Great Exhibiti...
The aim of this study is to survey the toy book, the popular form of Victorian picture books, which ...
This article examines three cartoons produced in the Victorian comic magazine Punch by its chief car...
This article explores the cultural dynamics of branding and mass consumption in Britain during the 1...
This article forms a study of the role of the illustrator in the development of illustrated comic ma...
A review of the book The Punch Brotherhood: Table Talk & Print Culture in Mid-Victorian London, by...
The English magic lantern trade emerged over several decades after 1821, following the appearance of...