The chapter represents an attempt to theorise the practice of the Open Source Embroidery project in relation to current debates about materiality and networks. The text draws from a talk given at the Centre de Cultura Contemporània de Barcelona, and introduces the Open Source Embroidery project and open source software. In it, Carpenter considers the history of open source software and the misunderstandings that have arisen around the term, before turning to the Open Source Embroidery project, which, she explains, "evolved to investigate the material and collaborative nature of computing, code and textiles through workshops, artworks and exhibitions.
Crafting is a fundamental part of humanity; it gives us purpose and satisfaction, and it produces it...
This practice-based art and design project explores the potential use of contemporary materials and ...
This article aims to present a review of some of the digital technologies designed around artisanal ...
The Open Source Embroidery (OSE) exhibition presents socially - engaged new - media art which uses t...
The open source embroidery website is handbuilt in html by Ele Carpenter as part of the open source ...
Discussion of Open Source Embroidery in relation to learning issues around women and technology
Electronic Textiles (eTextiles) and open source material has been entangled with “DIY” movements and...
The term 'Open Source' has in the past decade been used very loosely in relation to art and social p...
This article introduces the TEXTILE special issue on Weaving Codes, Coding Weaves, and the project o...
Art formed in the digital age has not yet been sufficiently scientifically studied. The problems of ...
My practice explores how to transfer my design knowledge of embroidery and print into 3D printing te...
The purpose of the research has been to explore the creative possibilities in applying strategies de...
This artwork engaged the field of participatory and collaborative art practice. Produced for ‘Open C...
Exploring Coding Stitching Culture Many cultures have distinctive textile crafts, and how textile...
This paper aims to give an impression of how knowledge of e-textiles is shared in art schools and un...
Crafting is a fundamental part of humanity; it gives us purpose and satisfaction, and it produces it...
This practice-based art and design project explores the potential use of contemporary materials and ...
This article aims to present a review of some of the digital technologies designed around artisanal ...
The Open Source Embroidery (OSE) exhibition presents socially - engaged new - media art which uses t...
The open source embroidery website is handbuilt in html by Ele Carpenter as part of the open source ...
Discussion of Open Source Embroidery in relation to learning issues around women and technology
Electronic Textiles (eTextiles) and open source material has been entangled with “DIY” movements and...
The term 'Open Source' has in the past decade been used very loosely in relation to art and social p...
This article introduces the TEXTILE special issue on Weaving Codes, Coding Weaves, and the project o...
Art formed in the digital age has not yet been sufficiently scientifically studied. The problems of ...
My practice explores how to transfer my design knowledge of embroidery and print into 3D printing te...
The purpose of the research has been to explore the creative possibilities in applying strategies de...
This artwork engaged the field of participatory and collaborative art practice. Produced for ‘Open C...
Exploring Coding Stitching Culture Many cultures have distinctive textile crafts, and how textile...
This paper aims to give an impression of how knowledge of e-textiles is shared in art schools and un...
Crafting is a fundamental part of humanity; it gives us purpose and satisfaction, and it produces it...
This practice-based art and design project explores the potential use of contemporary materials and ...
This article aims to present a review of some of the digital technologies designed around artisanal ...