This article argues for the necessity of rethinking the beginnings of cinema in South India through a broader historical consideration of the specific entertainment contexts, which both preceded and were eventually transformed by the introduction of film. The first film exhibitors introduced film to Madras as a kind of European entertainment using the same local venues as the European variety circuit. Their shows conformed to a variety format and they frequently mixed films with other kinds of live performances. In addition to situating early touring cinema shows within the local, European entertainment circuits of Madras city, the second strand of my argument is that we need to rethink the mobility of early cinema in India. Rather t...
This article suggests that the widely adopted principles of the Cinema of Attractions is a limited f...
The globalisation of Hindi cinema is a topical issue in current media and film research. Whereas the...
Prior studies of the Bombay film industry have focused on film in isolation, despite broadcasting an...
This article argues for the necessity of rethinking the beginnings of cinema in South India through ...
ndian cinema is considered to have started with the screening of the films of the Lumiere Brothers i...
The general historiographical privileging of a chronology of film firsts has significantly helped to...
Transnational circulation of Indian cinema has received considerable academic and media attention ov...
This article explores how genre matters for the history of cinema audiences in south India. I focus ...
This paper explores how genre matters for the history of cinema audiences in south India. I focus o...
Within the context of ambiguous Indo-Sri Lankan relations, I seek to probe the question of cinema as...
While research on material culture has focused abundantly on objects of everyday life as a way of ob...
This article argues that a visual product is also material, in the sense that visual objects (even d...
That the adaptation of international ideas and foreign technology had an impact on local film cultur...
Abstract The Malayalam theatre practically gave birth to Malayalam cinema. The theatre personalitie...
India is the largest film producing country in the world and its output has a global reach. After ye...
This article suggests that the widely adopted principles of the Cinema of Attractions is a limited f...
The globalisation of Hindi cinema is a topical issue in current media and film research. Whereas the...
Prior studies of the Bombay film industry have focused on film in isolation, despite broadcasting an...
This article argues for the necessity of rethinking the beginnings of cinema in South India through ...
ndian cinema is considered to have started with the screening of the films of the Lumiere Brothers i...
The general historiographical privileging of a chronology of film firsts has significantly helped to...
Transnational circulation of Indian cinema has received considerable academic and media attention ov...
This article explores how genre matters for the history of cinema audiences in south India. I focus ...
This paper explores how genre matters for the history of cinema audiences in south India. I focus o...
Within the context of ambiguous Indo-Sri Lankan relations, I seek to probe the question of cinema as...
While research on material culture has focused abundantly on objects of everyday life as a way of ob...
This article argues that a visual product is also material, in the sense that visual objects (even d...
That the adaptation of international ideas and foreign technology had an impact on local film cultur...
Abstract The Malayalam theatre practically gave birth to Malayalam cinema. The theatre personalitie...
India is the largest film producing country in the world and its output has a global reach. After ye...
This article suggests that the widely adopted principles of the Cinema of Attractions is a limited f...
The globalisation of Hindi cinema is a topical issue in current media and film research. Whereas the...
Prior studies of the Bombay film industry have focused on film in isolation, despite broadcasting an...