Add to ORKGAn ethnography of music making on Chindo Island, South Korea, based on fieldwork conducted between 1982 and 1984. A division is made between percussion bands (nongak or p'ungmul), songs (for work, entertainment and death) and shaman rituals (in particular Ssikkim kut), their history, current state and preservation. Each genre is considered in its national perspective, tracing histories and uses
honors thesisCollege of HumanitiesHistoryWesley Sasaki-UemuraAlthough appropriation of music by poli...
While individual aspects of gender in South Korean traditional music have been previously explored,...
The Korean Village Festivals could be classified into two types: Confucian and Sham anistic ones. Th...
SIGLEAvailable from British Library Document Supply Centre- DSC:DXN1879 / BLDSC - British Library Do...
In 2 volsSIGLEAvailable from British Library Document Supply Centre-DSC:DX191180 / BLDSC - British L...
As Korea has developed and modernized, music has come to play a central role as a symbol of national...
The colonial period represents a complex situation in which Korean music performances were transform...
The impact of Western music on the music of non-Western cultures has been an important topic in ethn...
While some ethnomusicologists have looked at the impact of music in shaping Southeast Asian societie...
[[abstract]]This study is the ritual music of Pu-An sect in Fa-Jiao at the Pescadores. Especially, i...
The relics of traditional folk culture in Kazakhstan are ceremonies or their fragments - such as wed...
Celebrating the diversity of indigenous nations, cultures and religions, the essays which comprise t...
This research is an investigation into Hakka shange 客家山歌 (Hakka mountain songs) and their relationsh...
This paper selects three local bands from Yunnan Province whose music integrates innovation and heri...
Since 1962, when it enacted the Cultural Properties Preservation Law, the South Korean government ha...
honors thesisCollege of HumanitiesHistoryWesley Sasaki-UemuraAlthough appropriation of music by poli...
While individual aspects of gender in South Korean traditional music have been previously explored,...
The Korean Village Festivals could be classified into two types: Confucian and Sham anistic ones. Th...
SIGLEAvailable from British Library Document Supply Centre- DSC:DXN1879 / BLDSC - British Library Do...
In 2 volsSIGLEAvailable from British Library Document Supply Centre-DSC:DX191180 / BLDSC - British L...
As Korea has developed and modernized, music has come to play a central role as a symbol of national...
The colonial period represents a complex situation in which Korean music performances were transform...
The impact of Western music on the music of non-Western cultures has been an important topic in ethn...
While some ethnomusicologists have looked at the impact of music in shaping Southeast Asian societie...
[[abstract]]This study is the ritual music of Pu-An sect in Fa-Jiao at the Pescadores. Especially, i...
The relics of traditional folk culture in Kazakhstan are ceremonies or their fragments - such as wed...
Celebrating the diversity of indigenous nations, cultures and religions, the essays which comprise t...
This research is an investigation into Hakka shange 客家山歌 (Hakka mountain songs) and their relationsh...
This paper selects three local bands from Yunnan Province whose music integrates innovation and heri...
Since 1962, when it enacted the Cultural Properties Preservation Law, the South Korean government ha...
honors thesisCollege of HumanitiesHistoryWesley Sasaki-UemuraAlthough appropriation of music by poli...
While individual aspects of gender in South Korean traditional music have been previously explored,...
The Korean Village Festivals could be classified into two types: Confucian and Sham anistic ones. Th...