This special issue of Postscripts addresses the interace of religion and film by exploring both hos religion is deployed through film and how film is utilized in service of religion. The issues is based on a workshop, Mediating Religion and Film in a Post-Secular World held June 16-17, 2005, at the University of Amsterdam
Paul V. M. Flesher and Robert Tory give a brief overview of the course Film and Religion taught at ...
Born from anthropologists' sense of surprise at religious media phenomena, over the past two decades...
From 6 to 8 December 2001 the ISIM, together with the Research Centre Religion and Society, will hol...
Studies of religion and film have long been dominated by the question of a film's fidelity to a reli...
The central claim of the present thesis is the idea that the film experience for us is the displaced...
This article undertakes the issue of defining film phenomena which put forward questions of a primar...
The fourth issue of “Cinema” addresses the topic of philosophy of religion and its connections with ...
This book has two main areas of focus: first, how it is possible to develop theological perspectives...
This is the Age of Hollywood, and so utilising popular films in the religious education quest is onl...
Since its origins, both religious and spiritual dimensions are present in the cinema, an artform tha...
This is the second century of the age of Hollywood, yet, the pedagogic utilisation of popular featur...
The reflection on film will be situated within the framework of popular culture and livedreligion as...
Anotation The main gaol of this study is to systematically map the manifestation of God in film with...
This paper explores religion's relationship with the creative arts. The article begins by considerin...
The Editor introduces the October 1997 issue of the Journal of Religion and Film
Paul V. M. Flesher and Robert Tory give a brief overview of the course Film and Religion taught at ...
Born from anthropologists' sense of surprise at religious media phenomena, over the past two decades...
From 6 to 8 December 2001 the ISIM, together with the Research Centre Religion and Society, will hol...
Studies of religion and film have long been dominated by the question of a film's fidelity to a reli...
The central claim of the present thesis is the idea that the film experience for us is the displaced...
This article undertakes the issue of defining film phenomena which put forward questions of a primar...
The fourth issue of “Cinema” addresses the topic of philosophy of religion and its connections with ...
This book has two main areas of focus: first, how it is possible to develop theological perspectives...
This is the Age of Hollywood, and so utilising popular films in the religious education quest is onl...
Since its origins, both religious and spiritual dimensions are present in the cinema, an artform tha...
This is the second century of the age of Hollywood, yet, the pedagogic utilisation of popular featur...
The reflection on film will be situated within the framework of popular culture and livedreligion as...
Anotation The main gaol of this study is to systematically map the manifestation of God in film with...
This paper explores religion's relationship with the creative arts. The article begins by considerin...
The Editor introduces the October 1997 issue of the Journal of Religion and Film
Paul V. M. Flesher and Robert Tory give a brief overview of the course Film and Religion taught at ...
Born from anthropologists' sense of surprise at religious media phenomena, over the past two decades...
From 6 to 8 December 2001 the ISIM, together with the Research Centre Religion and Society, will hol...
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