During the last ten years, somaesthetics has been increasingly applied in studies of music, sound, and the voice. In this overview, I map out the most interesting articles and books in this field. To begin with, I introduce some texts by Richard Shusterman in which he deals with these subjects. After that, I present the writings of other scholars who apply somaesthetics in their music-, sound-, and voice-related approaches. The aim is to offer some entry points for readers interested in applying somaesthetics to research and/or artistic practices involving music, sound, and the voice
This paper explains the discipline I call somaesthetics, which is devoted to studying the experience...
Portions of chapters 2 and 4 have been previously published in the following article: Maranan, D. S....
Book synopsis: In recent decades, the relationship between music, emotions, health and well-being ha...
Motor skill acquisition is a key element of playing Western classical music. The repetitive practice...
A sound installation titled Jericho Mouth was mounted at the Beijing Inside-Out Museum in 2013 by th...
Dance is proposed as the most representative of somaesthetic arts in Thinking Through the Body: Essa...
In this article I investigate musical improvisation from a somaesthetic perspective. I first provide...
This edited volume aims at suggesting a cohesive discussion on contemporary, emergent interactions b...
This project has involved investigating how the history and practice of music which incorporates the...
This paper examines the ten-year history of somaesthetics – describing the field's origins and genea...
This is the author accepted manuscript. The final version is available from Routledge via the DOI in...
Most people would imply that music is used for solely entertainment, artistic expression, celebratio...
This study was undertaken in an attempt to define toning more clearly and establish a theoretical ba...
Professionalism does not just cover behavior or dress. Professionals need to be aware of changes in ...
This thesis describes a radically different account of music-colour synaesthesia in four journal-sty...
This paper explains the discipline I call somaesthetics, which is devoted to studying the experience...
Portions of chapters 2 and 4 have been previously published in the following article: Maranan, D. S....
Book synopsis: In recent decades, the relationship between music, emotions, health and well-being ha...
Motor skill acquisition is a key element of playing Western classical music. The repetitive practice...
A sound installation titled Jericho Mouth was mounted at the Beijing Inside-Out Museum in 2013 by th...
Dance is proposed as the most representative of somaesthetic arts in Thinking Through the Body: Essa...
In this article I investigate musical improvisation from a somaesthetic perspective. I first provide...
This edited volume aims at suggesting a cohesive discussion on contemporary, emergent interactions b...
This project has involved investigating how the history and practice of music which incorporates the...
This paper examines the ten-year history of somaesthetics – describing the field's origins and genea...
This is the author accepted manuscript. The final version is available from Routledge via the DOI in...
Most people would imply that music is used for solely entertainment, artistic expression, celebratio...
This study was undertaken in an attempt to define toning more clearly and establish a theoretical ba...
Professionalism does not just cover behavior or dress. Professionals need to be aware of changes in ...
This thesis describes a radically different account of music-colour synaesthesia in four journal-sty...
This paper explains the discipline I call somaesthetics, which is devoted to studying the experience...
Portions of chapters 2 and 4 have been previously published in the following article: Maranan, D. S....
Book synopsis: In recent decades, the relationship between music, emotions, health and well-being ha...