thesisThis thesis explores the use of contact improvisation in the creative process. I discuss my personal history with the form and how it became my main focus in movement research. A brief history and limited descriptions of the aesthetics of contact improvisation and Laban Movement Analysis (LMA) are also addressed. For my creative research, I applied concepts from Laban Movement Analysis to Contact in an effort to uncover the more expressive possibilities within the form. Finally, I share the several personal insights I gained through the practice of contact improvisation, as well as its application to the creative processes of choreography and performance
thesisThe Adaptable Body: Cultivating a Hybrid Form From Community, Harmony, and Joy discusses the c...
This paper discusses an experimental approach to a three-hour ‘lecture’ in the year 2 Models and The...
thesisThis thesis unfolds in a chronological order, in which I share the creative journey of how I g...
thesisThis thesis explores the role of intuition as a component in the creative process of dance pe...
thesisThis thesis investigates how identity is shaped by our relationships with other people. It ex...
thesisThis thesis describes the theories and procedures that I have developed for inspiring a perfor...
This special issue of the Journal of Dance & Somatic Practices focuses on contact [and] improvisatio...
In this thesis research, a framework for investigating creativity is established through existing li...
ABSTRACT – The emergence of Contact Improvisation in the aesthetic-political laboratory of the 60s a...
ABSTRACT – The emergence of Contact Improvisation in the aesthetic-political laboratory of the 60s a...
thesisFinding my voice as a choreographer in the genre of aerial dance serves as the focus of this t...
thesisHow can attention to lived experience through somatic practice deepen the choreographic and p...
My research paper intends to examine a dance technique – Contact Improvisation- founded by Steve Pax...
thesisThis thesis examines how logic can be formed using simulated randomness in the choreographic p...
Drawing on a micro-phenomenological paradigm, we discuss Contact Improvisation (CI), where dancers e...
thesisThe Adaptable Body: Cultivating a Hybrid Form From Community, Harmony, and Joy discusses the c...
This paper discusses an experimental approach to a three-hour ‘lecture’ in the year 2 Models and The...
thesisThis thesis unfolds in a chronological order, in which I share the creative journey of how I g...
thesisThis thesis explores the role of intuition as a component in the creative process of dance pe...
thesisThis thesis investigates how identity is shaped by our relationships with other people. It ex...
thesisThis thesis describes the theories and procedures that I have developed for inspiring a perfor...
This special issue of the Journal of Dance & Somatic Practices focuses on contact [and] improvisatio...
In this thesis research, a framework for investigating creativity is established through existing li...
ABSTRACT – The emergence of Contact Improvisation in the aesthetic-political laboratory of the 60s a...
ABSTRACT – The emergence of Contact Improvisation in the aesthetic-political laboratory of the 60s a...
thesisFinding my voice as a choreographer in the genre of aerial dance serves as the focus of this t...
thesisHow can attention to lived experience through somatic practice deepen the choreographic and p...
My research paper intends to examine a dance technique – Contact Improvisation- founded by Steve Pax...
thesisThis thesis examines how logic can be formed using simulated randomness in the choreographic p...
Drawing on a micro-phenomenological paradigm, we discuss Contact Improvisation (CI), where dancers e...
thesisThe Adaptable Body: Cultivating a Hybrid Form From Community, Harmony, and Joy discusses the c...
This paper discusses an experimental approach to a three-hour ‘lecture’ in the year 2 Models and The...
thesisThis thesis unfolds in a chronological order, in which I share the creative journey of how I g...