In an attempt to clear her name, French Queen Marie-Antoinette (1755-1793) created her own royal feminine identity through the use of propagandist portraiture. She enlisted the help of portraitist Elisabeth-Louise Vigee-Le Brun (1755-1842) to create images that represented her as an intellectual, a revolutionary and a caring mother. The relationship between Vigee-Le Brun and Marie-Antoinette is significant because patrons and portraitists are often male, whereas these portraits are the result of the collaboration of two women. By the use of symbolic objects, settings, and costumes, both women constructed a unique royal feminine identity that continually changed in accordance with historical events. Each image is tailored to promote Marie An...
GRANT Sarah, Female Portraiture and Patronage in Marie Antoinette's Court : The Princesse de Lamball...
The Elizabethan mask is an avatar of the Elizabethan mirror. As such the portraits of Queen Elizabet...
GERMANN Jennifer G., Picturing Marie Leszczinska (1703–1768). Representing Queenship in Eighteenth-C...
In an attempt to clear her name, French Queen Marie-Antoinette (1755-1793) created her own royal fem...
Elisabeth Louise Vigee Le Brun may be considered one of the most celebrated women artists of eightee...
Portraits of Queen Marie Leszczinska (1703-1768) were highly visible in eighteenth-century France. A...
A diatribe against Marie-Antoinette originated in France during the mid-eighteenth-century and has c...
This thesis examines the portraiture and patronage of Marie Thérèse Louise de Savoie-Carignan, the p...
What started as an unlikely partnership would blossom into a powerful and close friendship between a...
Today Marie-Antoinette appears in the USA as a dazzling character. Propaganda from the French revolu...
Au Salon 1783, le public découvre la toile Marie-Antoinette en chemise ou en gaulle signée Élisabeth...
Queen Marie-Antoinette has suffered increasing unpopularity from the beginning of her reign in 1775 ...
In the last few decades interest in the life and work of Elisabeth Vigée-Lebrun has increased signif...
Early modern representations of Marie Antoinette, the infamous Queen of France, show a very confused...
DELALEX Hélène, MARAL Alexandre et MILOVANOVIC Nicolas, Marie-Antoinette, Los Angeles, J. Paul Getty...
GRANT Sarah, Female Portraiture and Patronage in Marie Antoinette's Court : The Princesse de Lamball...
The Elizabethan mask is an avatar of the Elizabethan mirror. As such the portraits of Queen Elizabet...
GERMANN Jennifer G., Picturing Marie Leszczinska (1703–1768). Representing Queenship in Eighteenth-C...
In an attempt to clear her name, French Queen Marie-Antoinette (1755-1793) created her own royal fem...
Elisabeth Louise Vigee Le Brun may be considered one of the most celebrated women artists of eightee...
Portraits of Queen Marie Leszczinska (1703-1768) were highly visible in eighteenth-century France. A...
A diatribe against Marie-Antoinette originated in France during the mid-eighteenth-century and has c...
This thesis examines the portraiture and patronage of Marie Thérèse Louise de Savoie-Carignan, the p...
What started as an unlikely partnership would blossom into a powerful and close friendship between a...
Today Marie-Antoinette appears in the USA as a dazzling character. Propaganda from the French revolu...
Au Salon 1783, le public découvre la toile Marie-Antoinette en chemise ou en gaulle signée Élisabeth...
Queen Marie-Antoinette has suffered increasing unpopularity from the beginning of her reign in 1775 ...
In the last few decades interest in the life and work of Elisabeth Vigée-Lebrun has increased signif...
Early modern representations of Marie Antoinette, the infamous Queen of France, show a very confused...
DELALEX Hélène, MARAL Alexandre et MILOVANOVIC Nicolas, Marie-Antoinette, Los Angeles, J. Paul Getty...
GRANT Sarah, Female Portraiture and Patronage in Marie Antoinette's Court : The Princesse de Lamball...
The Elizabethan mask is an avatar of the Elizabethan mirror. As such the portraits of Queen Elizabet...
GERMANN Jennifer G., Picturing Marie Leszczinska (1703–1768). Representing Queenship in Eighteenth-C...