This study examines the social relevancy of the lyrics of American librettist and theatrical producer, Oscar Hammerstein II (1895-1960). With his powerful words and fierce advocacy, Hammerstein tackled issues of prejudice and politics never before seen on the Broadway stage. This study seeks to discover if Oscar Hammerstein II was successful in influencing and affecting change through his libretti not only in his own time, but also now in the present day. Furthermore, his text will be critically examined to find if there is objectively more meaning because of the iconic collaborations with composers Richard Rodgers and Jerome Kern. The research explores three Hammerstein musicals, namely South Pacific, Carousel and Flower Drum Song and thei...
Richard Rodgers was one of America\u27s most prolific and best-loved composers. A world without My ...
Richard Rodgers was one of America\u27s most prolific and best-loved composers. A world without My ...
This thesis explores forgiveness narratives in the musical theatre of Oscar Hammerstein II and Steph...
In 1943, American musical theater was permanently transformed after Rodgers and Hammerstein’s first ...
The study of the American musical is emerging in two different research streams. The first treats th...
This thesis explores the American liberal Protestant religious influences on Oscar Hammerstein II, a...
xiv, 515 leaves : ill., music ; 28 cm. Includes abstract and vita. Includes bibliographical refere...
Rodgers and Hammerstein’s influential and commercially successful 1940s musical plays. Me and Juliet...
This study explores the racial representation present in the Arthur Laurents' 1957 Broadway hit West...
This project compares the female characters in the musicals of Richard Rodgers and Oscar Hammerstein...
This project compares the female characters in the musicals of Richard Rodgers and Oscar Hammerstein...
Oscar Hammerstein II (1895-1960), with various collaborators, addressed issues of race and intersect...
Oscar Hammerstein II (1895-1960), with various collaborators, addressed issues of race and intersect...
Oscar Hammerstein II (1895-1960), with various collaborators, addressed issues of race and intersect...
Richard Rodgers was one of America\u27s most prolific and best-loved composers. A world without My ...
Richard Rodgers was one of America\u27s most prolific and best-loved composers. A world without My ...
Richard Rodgers was one of America\u27s most prolific and best-loved composers. A world without My ...
This thesis explores forgiveness narratives in the musical theatre of Oscar Hammerstein II and Steph...
In 1943, American musical theater was permanently transformed after Rodgers and Hammerstein’s first ...
The study of the American musical is emerging in two different research streams. The first treats th...
This thesis explores the American liberal Protestant religious influences on Oscar Hammerstein II, a...
xiv, 515 leaves : ill., music ; 28 cm. Includes abstract and vita. Includes bibliographical refere...
Rodgers and Hammerstein’s influential and commercially successful 1940s musical plays. Me and Juliet...
This study explores the racial representation present in the Arthur Laurents' 1957 Broadway hit West...
This project compares the female characters in the musicals of Richard Rodgers and Oscar Hammerstein...
This project compares the female characters in the musicals of Richard Rodgers and Oscar Hammerstein...
Oscar Hammerstein II (1895-1960), with various collaborators, addressed issues of race and intersect...
Oscar Hammerstein II (1895-1960), with various collaborators, addressed issues of race and intersect...
Oscar Hammerstein II (1895-1960), with various collaborators, addressed issues of race and intersect...
Richard Rodgers was one of America\u27s most prolific and best-loved composers. A world without My ...
Richard Rodgers was one of America\u27s most prolific and best-loved composers. A world without My ...
Richard Rodgers was one of America\u27s most prolific and best-loved composers. A world without My ...
This thesis explores forgiveness narratives in the musical theatre of Oscar Hammerstein II and Steph...