An analytical study of Hans Werner Henze\u27s Fifth symphony

The purpose of this thesis is to present a systematic view of Henze’s stylistic characteristics in areas of form, melodic material and series, rhythm and meter, harmony, texture, and orchestration. The wide range of style exhibited by Henze will be brought to light in this study. Mention of certain stylistic traits in common with other well-known composers, such as Schoenberg, Webern, Stravinsky, and Bartok will be made. Finally, the thesis will show that Henze does not adhere to any strict principle of music composition but allows rather his own innate musical sense and desire for expression to guide him