Codirector Behrouz Boochani offers a critical reflection on Chauka, Please Tell Us the Time in which he discusses the multilayered meanings of the film. He shares his thoughts about his cinematic vision and how it is connected to the land. In this respect, the film cherishes the sanctity of the island’s ecosystem and knowledge system and also criticises the way the Australia-run detention centre degrades nature and the social fabric of the island. Boochani also elaborates on issues pertaining to reception and the way folklore (both Kurdish and Manusian) frames his resistance and critique
Documentary film is a visualization of facts and reality. The film is packaged based on a team's res...
Research into how the “media worlds ” of Indigenous feature filmmaking came into being in Australia ...
textKukeri is a documentary film investigating the Surva tradition performed in the Pernik region of...
Codirector Behrouz Boochani offers a critical reflection on Chauka, Please Tell Us the Time in which...
Chauka, Please Tell Us the Time (Behrouz Boochani and Arash Kamali Sarvestani, 2017) is a documentar...
The elements of folklore are among the important sources that can be used in the film to broad...
Janet Galbraith appears in the film Chauka, Please Tell Us the Time (Behrouz Boochani and Arash Kama...
Esta tese se propõe a pensar sobre o lugar da infância no cinema curdo de Bahman Ghobadi e tem como ...
This photo essay represents many of the major themes, feelings, people and critiques central to Chau...
Identifying Kurds since the beginning of the 20th century is challenging. Kurdistan has been separa...
Behrouz Boochani published No Friend but the Mountains: Writing From Manus Prison in 2018 which went...
Arash Kamali Sarvestani codirected and produced Chauka, Please Tell Us the Time (2017) while residin...
none2On 22 February 2006, a group of researchers from the Department of Interdisciplinary Studies on...
Through my investigation, I expose the multiple layers of Kurdish cinema constructed by Kurdish film...
Cinematography can be used as a weapon in the battle for identity. Kurdish people are in a constant ...
Documentary film is a visualization of facts and reality. The film is packaged based on a team's res...
Research into how the “media worlds ” of Indigenous feature filmmaking came into being in Australia ...
textKukeri is a documentary film investigating the Surva tradition performed in the Pernik region of...
Codirector Behrouz Boochani offers a critical reflection on Chauka, Please Tell Us the Time in which...
Chauka, Please Tell Us the Time (Behrouz Boochani and Arash Kamali Sarvestani, 2017) is a documentar...
The elements of folklore are among the important sources that can be used in the film to broad...
Janet Galbraith appears in the film Chauka, Please Tell Us the Time (Behrouz Boochani and Arash Kama...
Esta tese se propõe a pensar sobre o lugar da infância no cinema curdo de Bahman Ghobadi e tem como ...
This photo essay represents many of the major themes, feelings, people and critiques central to Chau...
Identifying Kurds since the beginning of the 20th century is challenging. Kurdistan has been separa...
Behrouz Boochani published No Friend but the Mountains: Writing From Manus Prison in 2018 which went...
Arash Kamali Sarvestani codirected and produced Chauka, Please Tell Us the Time (2017) while residin...
none2On 22 February 2006, a group of researchers from the Department of Interdisciplinary Studies on...
Through my investigation, I expose the multiple layers of Kurdish cinema constructed by Kurdish film...
Cinematography can be used as a weapon in the battle for identity. Kurdish people are in a constant ...
Documentary film is a visualization of facts and reality. The film is packaged based on a team's res...
Research into how the “media worlds ” of Indigenous feature filmmaking came into being in Australia ...
textKukeri is a documentary film investigating the Surva tradition performed in the Pernik region of...