The origins of this issue of Alphaville lie in collaborations between the Forced Migration Research Network (UNSW – University of New South Wales) and the Refugee Council of Australia, and in the inspiration afforded us by international colleagues and guests to Sydney (Fadma Aït Mous), Liverpool (Dennis Del Favero) and Lincoln (Hoda Afshar) universities. We have benefited from these academic alliances and invitations, but we also embrace the widest notion of hospitality, whereby the moment of arrival, the request for assistance and shelter, and subsequent decisions over citizenship and long-term residency are located in a moral environment of welcome and mutual learning. We trace and acknowledge our intellectual relationships here in so far...
The ‘Our True Colours’ (OTC) storytelling project brought together a group of four women from refuge...
The article considers one dominant tendency of independent filmmaking, and its impact on the treatme...
This dossier on Challenges of Separation for Refugee Filmmaking includes a number of short pieces an...
Representing stories through documentary film can offer a means to convey multilayered and sensory a...
Representing stories through documentary film can offer a means to convey multilayered and sensory a...
This discussion between Su Goldfish and Doctor Caroline Linette is based on a dossier for Alphaville...
This issue of Alphaville centres on the work of displaced and exiled filmmakers and directors commit...
This dossier on Challenges of Separation for Refugee Filmmaking includes a number of short pieces an...
Inspired by Robert Dixon's volumes on visual culture, colonial modernity and the Pacific, this artic...
There is now a well-established tradition of using participatory research methods, of which arts-bas...
This article is a reflection on what reflexive documentary scholars call the ‘moral dimension’ (Nash...
This chapter takes as its premise the assumption that in order to effect wider socio-political chang...
This article addresses cosmopolitan cinema through the figure of a former refugee in an Australian-m...
This article is about refugees’ and migrants’ dreams of home and family and stems from an Australian...
International Journal of Film and Media ArtsLiving in Germany during the peak of the “refugee crisis...
The ‘Our True Colours’ (OTC) storytelling project brought together a group of four women from refuge...
The article considers one dominant tendency of independent filmmaking, and its impact on the treatme...
This dossier on Challenges of Separation for Refugee Filmmaking includes a number of short pieces an...
Representing stories through documentary film can offer a means to convey multilayered and sensory a...
Representing stories through documentary film can offer a means to convey multilayered and sensory a...
This discussion between Su Goldfish and Doctor Caroline Linette is based on a dossier for Alphaville...
This issue of Alphaville centres on the work of displaced and exiled filmmakers and directors commit...
This dossier on Challenges of Separation for Refugee Filmmaking includes a number of short pieces an...
Inspired by Robert Dixon's volumes on visual culture, colonial modernity and the Pacific, this artic...
There is now a well-established tradition of using participatory research methods, of which arts-bas...
This article is a reflection on what reflexive documentary scholars call the ‘moral dimension’ (Nash...
This chapter takes as its premise the assumption that in order to effect wider socio-political chang...
This article addresses cosmopolitan cinema through the figure of a former refugee in an Australian-m...
This article is about refugees’ and migrants’ dreams of home and family and stems from an Australian...
International Journal of Film and Media ArtsLiving in Germany during the peak of the “refugee crisis...
The ‘Our True Colours’ (OTC) storytelling project brought together a group of four women from refuge...
The article considers one dominant tendency of independent filmmaking, and its impact on the treatme...
This dossier on Challenges of Separation for Refugee Filmmaking includes a number of short pieces an...