THESIS 8871This thesis aims to analyse the diegetic representation of divine discourse, in particular, the reported speech of God in Middle English literature. It focuses on the narratorial stance of key texts towards such representations of divine speech, critically reflecting on the role that the points-of-view of both the embedded narrator and - more subtly - the implied author play in the mediation of such speech; furthermore, the operations of such speech are analysed to ascertain their purpose in relation to the \u27sentence\u27 of the whole text. The major finding of the thesis is that divine speech is presented, implicitly and explicitly, as the central medium by which God establishes and maintains His friendship with man
This dissertation investigates the poetic treatment of God’s direct speech in Renaissance epics. In ...
This paper investigates the linguistic aspect of the phenomenon of secularisation, using as example ...
This dissertation argues for a new reading of the relationship that texts have to performance, bodie...
This thesis offers the first sustained study of the various ways that English-language authors repre...
Chaucer’s God considers how characters invoke God, both in terms of the everyday language of late me...
The article argues from an empirical study of the alliterative and metrical characteristics of the s...
The Old English poem Genesis B is a complex narrative representation of the actions and motivations ...
A study of medieval attitudes towards the ventriloquism of God\u27s and Christ\u27s voices through h...
Medieval drama frequently included God and Christ as characters, but after the English Reformation, ...
In the beginning, people communicate with each other making verbal noise, which becomes talking to e...
grantor: University of TorontoThis thesis examines three dramatic monologues found in Old ...
INTRODUCTION Among the Middle English religious lyrics which have survived to the present day, there...
grantor: University of TorontoMuch past criticism of character in Middle English drama has...
This contribution describes how Evangelicals (claim to) hear God talking to them. It focuses on “pro...
International audienceSome of the most celebrated passages of Old English poetry are speeches: Beowu...
This dissertation investigates the poetic treatment of God’s direct speech in Renaissance epics. In ...
This paper investigates the linguistic aspect of the phenomenon of secularisation, using as example ...
This dissertation argues for a new reading of the relationship that texts have to performance, bodie...
This thesis offers the first sustained study of the various ways that English-language authors repre...
Chaucer’s God considers how characters invoke God, both in terms of the everyday language of late me...
The article argues from an empirical study of the alliterative and metrical characteristics of the s...
The Old English poem Genesis B is a complex narrative representation of the actions and motivations ...
A study of medieval attitudes towards the ventriloquism of God\u27s and Christ\u27s voices through h...
Medieval drama frequently included God and Christ as characters, but after the English Reformation, ...
In the beginning, people communicate with each other making verbal noise, which becomes talking to e...
grantor: University of TorontoThis thesis examines three dramatic monologues found in Old ...
INTRODUCTION Among the Middle English religious lyrics which have survived to the present day, there...
grantor: University of TorontoMuch past criticism of character in Middle English drama has...
This contribution describes how Evangelicals (claim to) hear God talking to them. It focuses on “pro...
International audienceSome of the most celebrated passages of Old English poetry are speeches: Beowu...
This dissertation investigates the poetic treatment of God’s direct speech in Renaissance epics. In ...
This paper investigates the linguistic aspect of the phenomenon of secularisation, using as example ...
This dissertation argues for a new reading of the relationship that texts have to performance, bodie...