The thesis represents a first methodic approach to the archival documentation concerning the music in the cathedral of S. Peter in Bologna. Covering a temporary range from 1417 to 1754, the thesis is organised in five chapters, a historical introduction, a catalogue of non preserved and preserved music sources, a chronology of musical attested performances, a chronology of stable musicians and a ordered transcription of all the known documents related to the music in the cathedral
This is a copy of the first of three volumes of "Storia della musica" (Music History) by Giovanni Ba...
Ricostruzione della storia della musica, musicisti, maestri di cappella, organisti e organi del Sant...
Despite the scholarly attention that has rightly been paid to Universitat de València, Biblioteca Hi...
Archival documentation from over 30 local institutions (parish and monastic churches, guilds and con...
At the end of 16th century, Bologna was one of the most influential cities of the Papal States and c...
A new picture of music at the basilica of St. Peter's in the fifteenth century emerges in Christophe...
The Thesis explores the origins of anglican liturgical music either from the musicological and litur...
Evidence for assumptions about the transmission of written polyphony in the fifteenth century comes ...
This article explores evidence for polyphonic music in Italian convents during the first half of the...
1976.—The church of San Petronio in Bologna was one of the most important centers for the performanc...
This is a catalogue of the musical sources of Salzburg Cathedral between ca. 1670 and 1841, that ha...
RILM abstract: The building of Bologna\u27s most important church was decided by the Senate and beg...
Il saggio rielabora la “relazione introduttiva” di un rilevante convegno archivistico regionale sui ...
none6noIntorno al 1770 il francescano Giambattista Martini (1706-1784) avviò nel convento di San Fra...
Ms. - music. Bologna - museo - civico medievale.https://digitalcommons.acu.edu/ferguson_photos/3386/...
This is a copy of the first of three volumes of "Storia della musica" (Music History) by Giovanni Ba...
Ricostruzione della storia della musica, musicisti, maestri di cappella, organisti e organi del Sant...
Despite the scholarly attention that has rightly been paid to Universitat de València, Biblioteca Hi...
Archival documentation from over 30 local institutions (parish and monastic churches, guilds and con...
At the end of 16th century, Bologna was one of the most influential cities of the Papal States and c...
A new picture of music at the basilica of St. Peter's in the fifteenth century emerges in Christophe...
The Thesis explores the origins of anglican liturgical music either from the musicological and litur...
Evidence for assumptions about the transmission of written polyphony in the fifteenth century comes ...
This article explores evidence for polyphonic music in Italian convents during the first half of the...
1976.—The church of San Petronio in Bologna was one of the most important centers for the performanc...
This is a catalogue of the musical sources of Salzburg Cathedral between ca. 1670 and 1841, that ha...
RILM abstract: The building of Bologna\u27s most important church was decided by the Senate and beg...
Il saggio rielabora la “relazione introduttiva” di un rilevante convegno archivistico regionale sui ...
none6noIntorno al 1770 il francescano Giambattista Martini (1706-1784) avviò nel convento di San Fra...
Ms. - music. Bologna - museo - civico medievale.https://digitalcommons.acu.edu/ferguson_photos/3386/...
This is a copy of the first of three volumes of "Storia della musica" (Music History) by Giovanni Ba...
Ricostruzione della storia della musica, musicisti, maestri di cappella, organisti e organi del Sant...
Despite the scholarly attention that has rightly been paid to Universitat de València, Biblioteca Hi...
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