Purpose The purpose of this paper is to examine how mission-driven arts organisations respond to the complex set of economic and social conditions that the authors here term as a significant point of rupture. Drawing on the papers that form a part of the special section of this issue, the authors critically examine how the intersection of globalisation and neoliberalism creates multidimensional uncertainty that shapes the opportunities, responsibilities, work arrangements, and lived experiences of artists and artist-led initiatives and organisations. Design/methodology/approach In this introduction to the symposium on mission-driven arts organisations and initiatives, the authors explore how the included articles question and introduce...
This article examines the everyday experiences of arts and cultural organisations in negotiating the...
This thesis challenges the misrecognition of artist-led initiatives as a merely casual or anticipato...
This study provides insight into how two national arts organisations located in London manage their...
This article examines the consequences of shifts in the terms of engagement with the state – since t...
Arts organisations have had to reimagine their ways of working, as a result of the Covid-19 pandemic...
The paper examines how the Alberta Foundation for the Arts has prioritized economic measures of sust...
Art is good for cities. Art and artists differentiate a city. Art and artists pave the way for entre...
Arts & Culture emerge as a particularly fruitful field for the development of social innovation...
Despite the hype surrounding the mobilisation of the creative arts as a vehicle for social and physi...
Do we value the quality and longevity of relationships we build as cultural workers? Is embodied kno...
peer reviewedhis paper explores the conditions under which urban entrepreneurship can develop throug...
What insights can art reveal in the context of organizational change? How do artistic practices infl...
This research examines the roles of an arts hub in George Town, Malaysia, a UNESCO World Heritage S...
Ian Hunter, in the "New Rural Arts Strategy", provides us with a framework for thinking about regene...
Inaugurated in 1997, the Frank Gehry designed Guggenheim Museum Bilbao in Spain, gave rise to the te...
This article examines the everyday experiences of arts and cultural organisations in negotiating the...
This thesis challenges the misrecognition of artist-led initiatives as a merely casual or anticipato...
This study provides insight into how two national arts organisations located in London manage their...
This article examines the consequences of shifts in the terms of engagement with the state – since t...
Arts organisations have had to reimagine their ways of working, as a result of the Covid-19 pandemic...
The paper examines how the Alberta Foundation for the Arts has prioritized economic measures of sust...
Art is good for cities. Art and artists differentiate a city. Art and artists pave the way for entre...
Arts & Culture emerge as a particularly fruitful field for the development of social innovation...
Despite the hype surrounding the mobilisation of the creative arts as a vehicle for social and physi...
Do we value the quality and longevity of relationships we build as cultural workers? Is embodied kno...
peer reviewedhis paper explores the conditions under which urban entrepreneurship can develop throug...
What insights can art reveal in the context of organizational change? How do artistic practices infl...
This research examines the roles of an arts hub in George Town, Malaysia, a UNESCO World Heritage S...
Ian Hunter, in the "New Rural Arts Strategy", provides us with a framework for thinking about regene...
Inaugurated in 1997, the Frank Gehry designed Guggenheim Museum Bilbao in Spain, gave rise to the te...
This article examines the everyday experiences of arts and cultural organisations in negotiating the...
This thesis challenges the misrecognition of artist-led initiatives as a merely casual or anticipato...
This study provides insight into how two national arts organisations located in London manage their...