Thin Black Line(s) focuses on the contribution of Black and Asian women artists to British art in the 1980s. Taking as its starting point three seminal exhibitions curated by artist Lubaina Himid in London from 1983 to 1985, the display charts the coming to voice of a radical generation of British artists who challenged their collective invisibility in the art world and engaged in their art with the wider social and political issues of 1980s Britain and the world
Himid makes paintings, prints, drawings and installations which celebrate Black creativity and the p...
This publication is a full colour bi-lingual catalogue for the exhibition Thin Place, curated by Cia...
The article offers a conjunctural analysis of three 'moments' in the post-war black visual arts in t...
Thin Black Line(s) was an exhibition curated by Paul Goodwin and Lubaina Himid at Tate Britain, Janu...
Building on the challenges set out at the Shades of Black conference in 2001, this thesis contribute...
This book, co-authored with Ian Baucom and edited by David A Bailey, is the outcome of a lengthy per...
"The publication developed from the exhibition and research project The Place Is Here (2016–19), whi...
"The publication developed from the exhibition and research project The Place Is Here (2016–19), whi...
Exhibition review of The Place is Here at Nottingham Contemporary, 4 February - 1 May 2017
This paper will map the emergence of black art in Britain through two exhi-bitions curated by Pakist...
Modern Art Oxford presents the first major survey exhibition by British artist Lubaina Himid. One of...
The starting-point for this exhibition is a pivotal decade for British culture and politics: the 198...
The starting-point for this exhibition is a pivotal decade for British culture and politics: the 198...
The best way for me to begin to discuss any strategy for exhibiting visual art is always to list the...
Lubaina Himid (b. 1954, Zanzibar, lives and works in Preston) works in painting, drawing, installati...
Himid makes paintings, prints, drawings and installations which celebrate Black creativity and the p...
This publication is a full colour bi-lingual catalogue for the exhibition Thin Place, curated by Cia...
The article offers a conjunctural analysis of three 'moments' in the post-war black visual arts in t...
Thin Black Line(s) was an exhibition curated by Paul Goodwin and Lubaina Himid at Tate Britain, Janu...
Building on the challenges set out at the Shades of Black conference in 2001, this thesis contribute...
This book, co-authored with Ian Baucom and edited by David A Bailey, is the outcome of a lengthy per...
"The publication developed from the exhibition and research project The Place Is Here (2016–19), whi...
"The publication developed from the exhibition and research project The Place Is Here (2016–19), whi...
Exhibition review of The Place is Here at Nottingham Contemporary, 4 February - 1 May 2017
This paper will map the emergence of black art in Britain through two exhi-bitions curated by Pakist...
Modern Art Oxford presents the first major survey exhibition by British artist Lubaina Himid. One of...
The starting-point for this exhibition is a pivotal decade for British culture and politics: the 198...
The starting-point for this exhibition is a pivotal decade for British culture and politics: the 198...
The best way for me to begin to discuss any strategy for exhibiting visual art is always to list the...
Lubaina Himid (b. 1954, Zanzibar, lives and works in Preston) works in painting, drawing, installati...
Himid makes paintings, prints, drawings and installations which celebrate Black creativity and the p...
This publication is a full colour bi-lingual catalogue for the exhibition Thin Place, curated by Cia...
The article offers a conjunctural analysis of three 'moments' in the post-war black visual arts in t...