This paper will focus on a selection of texts by postcolonial women writers, including Jean Rhys, Jamaica Kincaid, Adhaf Soueif and Assia Djebar to explore the ways that the worlds of ‘the oral’ and ‘the scribal’ intersect and/or collide in their fictions. Many Caribbean writers and/or critics have argued for orality as the privileged signifier of the local and the paper will begin by exploring the ways that this is both endorsed and challenged in the fiction of Rhys and Kincaid. The argument will then be extended in a discussion of writers from other postcolonial locations, focusing on the way that the figure of ‘the servant’ is often mobilised to mediate between ‘the local’ and ‘the literary’. The paper will argue that the very diverse wa...
Jamaican-born Velma Pollard has been publishing poetry and short stories for nearly\ud thirty years....
Critical considerations of Jean Rhys’ texts are often intent on geopolitically ‘placing’ the female ...
This chapter argues that contemporary Caribbean women exploit the malleability of life-writing as a ...
This essay explores the ways that Rhys and Kincaid mine the slippage in meanings and registers of “m...
This thesis locates Jean Rhys’ texts specifically within the context of Negritude and the Caribbean ...
This study begins with an exploration of how three post-1960 Caribbean women writers revise key conc...
An examination of postcolonial writings from the Caribbean disrupts the notion that postcolonial dis...
Caribbean literature maintains a dual relationship with the culture of the former colonizers, hesita...
This thesis locates Jean Rhys’ texts specifically within the context of Negritude and the Caribbean ...
International audienceExile and colonialism play an essential part in Jamaica Kincaid's novels. This...
Utilizing Romanticist, postcolonial, and feminist literary criticism, this project posits the interc...
In this article I wish to consider issues relating to women's writing in the Caribbean, with particu...
For those interested in reading or studying post-colonial and African American women's writing, this...
This paper raises the crucial question as to whether non-Western feminisms have reached a postcoloni...
Writers in the Caribbean, like writers throughout the postcolonial world, return to colonial texts t...
Jamaican-born Velma Pollard has been publishing poetry and short stories for nearly\ud thirty years....
Critical considerations of Jean Rhys’ texts are often intent on geopolitically ‘placing’ the female ...
This chapter argues that contemporary Caribbean women exploit the malleability of life-writing as a ...
This essay explores the ways that Rhys and Kincaid mine the slippage in meanings and registers of “m...
This thesis locates Jean Rhys’ texts specifically within the context of Negritude and the Caribbean ...
This study begins with an exploration of how three post-1960 Caribbean women writers revise key conc...
An examination of postcolonial writings from the Caribbean disrupts the notion that postcolonial dis...
Caribbean literature maintains a dual relationship with the culture of the former colonizers, hesita...
This thesis locates Jean Rhys’ texts specifically within the context of Negritude and the Caribbean ...
International audienceExile and colonialism play an essential part in Jamaica Kincaid's novels. This...
Utilizing Romanticist, postcolonial, and feminist literary criticism, this project posits the interc...
In this article I wish to consider issues relating to women's writing in the Caribbean, with particu...
For those interested in reading or studying post-colonial and African American women's writing, this...
This paper raises the crucial question as to whether non-Western feminisms have reached a postcoloni...
Writers in the Caribbean, like writers throughout the postcolonial world, return to colonial texts t...
Jamaican-born Velma Pollard has been publishing poetry and short stories for nearly\ud thirty years....
Critical considerations of Jean Rhys’ texts are often intent on geopolitically ‘placing’ the female ...
This chapter argues that contemporary Caribbean women exploit the malleability of life-writing as a ...