Partha Mitter's book is a pioneering study of the history of modern art on the Indian subcontinent from 1850 to 1922. The author tells the story of Indian art during the Raj, set against the interplay of colonialism and nationalism. The work addresses the tensions and contradictions that attended the advent of European naturalism in India, as part of the imperial design for the westernisation of the elite, and traces the artistic evolution from unquestioning westernisation to the construction of Hindu national identity. Through a wide range of literary and pictorial sources, Art and Nationalism in Colonial India balances the study of colonial cultural institutions and networks with the ideologies of the nationalist and intellectual movement...
This volume provides a revisionary critique of the art of Abanindranath Tagore, the founder of the n...
This dissertation examines contemporary art in India between circa 1965 and 1995, focusing especiall...
This dissertation examines the connection between colonial governance and art education in colonial ...
In his article Aesthetics, Nationalism, and the Image of Woman in Modern Indian Art Kedar Vishwana...
This thesis studies the practices and the polemics that structured the mid-twentieth century ‘field’...
Illuminates how new modes of artistic production in colonial India shaped the British state’s nation...
Colonial powers, indigenous traditions, and internal ethnic and religious rivalries all contribute t...
Indian modernism is an endogenous structural causality that has used and continues to use exogenous...
2 volsAvailable from British Library Document Supply Centre- DSC:D78013 / BLDSC - British Library Do...
This dissertation investigates the impact of the partition of the Indian subcontinent in 1947 on the...
Beginning in the early 20th century, art museums in America were among the first to collect and disp...
This bachelor thesis attempts to dissert about the symbolical (art) reflection of chosen socio-cultu...
India in Britain traces the often hidden lines of Indian-British connection which took place on Brit...
The present review of 20th Century Indian Art focuses on the book’s contribution to debates around ‘...
Landscaping India investigates the use of landscapes in colonial and anti-colonial representations o...
This volume provides a revisionary critique of the art of Abanindranath Tagore, the founder of the n...
This dissertation examines contemporary art in India between circa 1965 and 1995, focusing especiall...
This dissertation examines the connection between colonial governance and art education in colonial ...
In his article Aesthetics, Nationalism, and the Image of Woman in Modern Indian Art Kedar Vishwana...
This thesis studies the practices and the polemics that structured the mid-twentieth century ‘field’...
Illuminates how new modes of artistic production in colonial India shaped the British state’s nation...
Colonial powers, indigenous traditions, and internal ethnic and religious rivalries all contribute t...
Indian modernism is an endogenous structural causality that has used and continues to use exogenous...
2 volsAvailable from British Library Document Supply Centre- DSC:D78013 / BLDSC - British Library Do...
This dissertation investigates the impact of the partition of the Indian subcontinent in 1947 on the...
Beginning in the early 20th century, art museums in America were among the first to collect and disp...
This bachelor thesis attempts to dissert about the symbolical (art) reflection of chosen socio-cultu...
India in Britain traces the often hidden lines of Indian-British connection which took place on Brit...
The present review of 20th Century Indian Art focuses on the book’s contribution to debates around ‘...
Landscaping India investigates the use of landscapes in colonial and anti-colonial representations o...
This volume provides a revisionary critique of the art of Abanindranath Tagore, the founder of the n...
This dissertation examines contemporary art in India between circa 1965 and 1995, focusing especiall...
This dissertation examines the connection between colonial governance and art education in colonial ...