This study attempts to provide a theoretical framework for the appreciation of music among the Benin, a strategic ethnic group in Nigeria. It investigates how concepts such as folk and popular song, music, noise, speech and sound find their relevant expression and place in the socio-cultural, economic, moral and even psychological setting of the Benin world. Finally, it is discovered that a conceptual approach is crucial, not only to the situation of the Benin oral literary values within a Western ideological context, but also in the facilitation of an objective evaluation of critical aspects of the life of people
The documentation of folk music in Nigeria has been an on-going process by Art music composers and h...
Abstract This study examines aesthetics in the African context. Nigerian popular music is used as ...
This study analyses the performance techniques, instrumentation and songs of selected indigenized so...
Folk music in Nigeria evolved as a corporate communal experience. It has been sustained as such, and...
This paper defines the philosophical factors for evaluating the folk musical idioms among the Yorùbá...
This paper defines the philosophical factors for evaluating the folk musical idioms among the Yorùbá...
In considering the music of Nigeria, its future and its past, it is essential that an appreciation o...
In traditional African culture, music and dance are integral part of the day-to-day activities due t...
Music is a very significant aspect of life of any group of people. It is embedded in the cultural li...
Among the Ewe-speaking people of southeastern Ghana, southern Togoland and southern Dahomey, there a...
This study attempts a socio-cultural approach to ubo-aka musical phenomena in terms of the role of t...
The omnipresence of music in the human society and its utilitarian stance in the human l...
Music is a universal language of mankind. It is also a product of the creative genius in man. Good m...
Nigerian musical practice can be divided into three categories for analysis: indigenous or tribal fo...
This work is an investigation of selected songs that are rendered in informal situations for enterta...
The documentation of folk music in Nigeria has been an on-going process by Art music composers and h...
Abstract This study examines aesthetics in the African context. Nigerian popular music is used as ...
This study analyses the performance techniques, instrumentation and songs of selected indigenized so...
Folk music in Nigeria evolved as a corporate communal experience. It has been sustained as such, and...
This paper defines the philosophical factors for evaluating the folk musical idioms among the Yorùbá...
This paper defines the philosophical factors for evaluating the folk musical idioms among the Yorùbá...
In considering the music of Nigeria, its future and its past, it is essential that an appreciation o...
In traditional African culture, music and dance are integral part of the day-to-day activities due t...
Music is a very significant aspect of life of any group of people. It is embedded in the cultural li...
Among the Ewe-speaking people of southeastern Ghana, southern Togoland and southern Dahomey, there a...
This study attempts a socio-cultural approach to ubo-aka musical phenomena in terms of the role of t...
The omnipresence of music in the human society and its utilitarian stance in the human l...
Music is a universal language of mankind. It is also a product of the creative genius in man. Good m...
Nigerian musical practice can be divided into three categories for analysis: indigenous or tribal fo...
This work is an investigation of selected songs that are rendered in informal situations for enterta...
The documentation of folk music in Nigeria has been an on-going process by Art music composers and h...
Abstract This study examines aesthetics in the African context. Nigerian popular music is used as ...
This study analyses the performance techniques, instrumentation and songs of selected indigenized so...