Add to ORKGCan the attacks of 9/11 be considered an avant-garde artistic event? This article aims to discuss, from the point of view of the intentionality of the act and of its reception, the performative character of that historical fact. To carry forward this intent, it presents a historical overview of avant-garde art, and discusses some of the historical and cultural conditions that supposedly operated as triggers of such an event. The text also focuses on the spectacular character of the event and the conditions for its appreciation in a society greatly delimited by the media
'Sensible interventions: Cultural resistance post-9/11' is anchored in the September 11, 2001 terror...
L'art et l'idéologie sont étroitement liés par leur fonction de représentation du réel. Les années 1...
Diese romanistische Studie fokussiert sich auf die europäische Rezeption in Printmedien drei europäi...
Can the attacks of 9/11 be considered an avant-garde artistic event? This article aims to discuss, f...
There have been numerous critical articles on what really happened on the otherwise beautiful mornin...
This article examines ways in which art can help broaden understandings of contemporary security cha...
Avant-garde is a military term. It is an advanced detachment of the army, which is the first to face...
There have been numerous critical articles on what really happened on the otherwise beautiful mornin...
The paper focuses on specific issues that arise from the use of a soundscape of a terrorist attack i...
This thesis is an exploration of the event and performance as one of the practices of contemporary a...
Subject offers a cross-cultural and trans-historical perspective on the problems of catastrophe and ...
The September 11 attacks were designed as a series of actions that would symbolise the fall of Ameri...
The nature of the relationship between art and terror/ism and why identifications between the two ar...
In the article the authors are dealing with the militant potential of the concept of avant-garde. Em...
At the end of the twentieth century there was a critical shift from prioritizing the anti-aesthetic ...
'Sensible interventions: Cultural resistance post-9/11' is anchored in the September 11, 2001 terror...
L'art et l'idéologie sont étroitement liés par leur fonction de représentation du réel. Les années 1...
Diese romanistische Studie fokussiert sich auf die europäische Rezeption in Printmedien drei europäi...
Can the attacks of 9/11 be considered an avant-garde artistic event? This article aims to discuss, f...
There have been numerous critical articles on what really happened on the otherwise beautiful mornin...
This article examines ways in which art can help broaden understandings of contemporary security cha...
Avant-garde is a military term. It is an advanced detachment of the army, which is the first to face...
There have been numerous critical articles on what really happened on the otherwise beautiful mornin...
The paper focuses on specific issues that arise from the use of a soundscape of a terrorist attack i...
This thesis is an exploration of the event and performance as one of the practices of contemporary a...
Subject offers a cross-cultural and trans-historical perspective on the problems of catastrophe and ...
The September 11 attacks were designed as a series of actions that would symbolise the fall of Ameri...
The nature of the relationship between art and terror/ism and why identifications between the two ar...
In the article the authors are dealing with the militant potential of the concept of avant-garde. Em...
At the end of the twentieth century there was a critical shift from prioritizing the anti-aesthetic ...
'Sensible interventions: Cultural resistance post-9/11' is anchored in the September 11, 2001 terror...
L'art et l'idéologie sont étroitement liés par leur fonction de représentation du réel. Les années 1...
Diese romanistische Studie fokussiert sich auf die europäische Rezeption in Printmedien drei europäi...