Vasari’s Vite provide valuable information about the way in which Italian art reached England, sometimes mentioning specific names of merchants and agents controlling the market. The migration of artists could in fact only occur with the backing of merchant-bankers who provided the financial means to undertake such costly and difficult trips, guaranteed a certain amount of work and in many cases even provided housing in their own company lodgings. The paper presents new archival evidence confirming the correctness of the leads offered in the Vite and argues that the movement of work and people was largely in the hands of a group of Florentine merchants with very close ties to the Medici in Florence and Rome
PhDThis thesis analyses the means by which items of Italian material culture came into the possessio...
From the middle of the 16th century, when the first edition of Giorgio Vasari's Lives of the Most Em...
peer reviewedLa Descrittione di tutti i Paesi Bassi de Lodovico Guicciardini (Anvers, 1567) comprend...
Vasari’s Vite provide valuable information about the way in which Italian art reached England, somet...
The essay discusses Vasari's treatment of the work of Italian artists in England during the 16th cen...
peer reviewedThe Descrittione di tutti i Paesi Bassi by Lodovico Guicciardini (Antwerp, 1567) includ...
This essay will focus its attention on the second edition of Vasari’s Lives (Giunti, 1568) that took...
This article reassesses artistic production in Rome at the time of the temporary return of Pope Urba...
In the field of study on relations between Italy and Flanders in the second half of the sixteenth ce...
The thesis is divided into eight chapters, with various approaches adopted. Chapter One is primarily...
This essay presents an unknown document contained in the Vasari papers at the Beinecke Library (Yale...
In both written and visual sources, Giorgio Vasari hid the collective body of artists producing the ...
In both written and visual sources, Giorgio Vasari hid the collective body of artists producing the ...
In both written and visual sources, Giorgio Vasari hid the collective body of artists producing the ...
Already in the fourteenth century, poets such as Dante and Petrarch were unanimously considered Auth...
PhDThis thesis analyses the means by which items of Italian material culture came into the possessio...
From the middle of the 16th century, when the first edition of Giorgio Vasari's Lives of the Most Em...
peer reviewedLa Descrittione di tutti i Paesi Bassi de Lodovico Guicciardini (Anvers, 1567) comprend...
Vasari’s Vite provide valuable information about the way in which Italian art reached England, somet...
The essay discusses Vasari's treatment of the work of Italian artists in England during the 16th cen...
peer reviewedThe Descrittione di tutti i Paesi Bassi by Lodovico Guicciardini (Antwerp, 1567) includ...
This essay will focus its attention on the second edition of Vasari’s Lives (Giunti, 1568) that took...
This article reassesses artistic production in Rome at the time of the temporary return of Pope Urba...
In the field of study on relations between Italy and Flanders in the second half of the sixteenth ce...
The thesis is divided into eight chapters, with various approaches adopted. Chapter One is primarily...
This essay presents an unknown document contained in the Vasari papers at the Beinecke Library (Yale...
In both written and visual sources, Giorgio Vasari hid the collective body of artists producing the ...
In both written and visual sources, Giorgio Vasari hid the collective body of artists producing the ...
In both written and visual sources, Giorgio Vasari hid the collective body of artists producing the ...
Already in the fourteenth century, poets such as Dante and Petrarch were unanimously considered Auth...
PhDThis thesis analyses the means by which items of Italian material culture came into the possessio...
From the middle of the 16th century, when the first edition of Giorgio Vasari's Lives of the Most Em...
peer reviewedLa Descrittione di tutti i Paesi Bassi de Lodovico Guicciardini (Anvers, 1567) comprend...