Although Prussian blue is a popular pigment, its stability has been questioned since its discovery in 1704. Its stability upon exposure to light and anoxia remains difficult to apprehend. The present paper focuses on the relative influences of light, anoxia and type of substrate on the discoloration of Prussian blue dyed textiles. Spectrophotometry and X-ray absorption spectroscopy measurements of samples artificially aged by light in air or anoxia show that both the extent of the reduction process at the origin of Prussian blue discoloration and the aging of the textile substrate are linked and strongly differ with the environment. The complex inter-relationship existing between Prussian blue discoloration and textile degradation and the f...
An investigation for light exposure on pigments in low-oxygen environments (in the range 0–5% oxygen...
Prussian blue, a hydrated iron(III) hexacyanoferrate(II) complex, is a synthetic pigment discovered ...
The necessity of understanding degradation and alteration processes in a painting's materials is wel...
The fading of modern laboratory-synthesized and commercial Prussian blue, iron(III) hexacyanoferrate...
The necessity of understanding degradation and alteration processes in a painting's materials is wel...
Prussian blue is a modern synthetic pigment discovered in Berlin at the beginning of the eighteenth ...
Prussian blue (PB) is an artists’ pigment that has been frequently used in many artworks but poses s...
The pigment Prussian blue is studied in heritage science because of its capricious fading behavior u...
Prussian blue, a hydrated iron(III) hexacyanoferrate(II) complex, is a synthetic pigment discovered ...
Prussian blue (PB) is an artists' pigment that has been frequently used in many artworks but poses s...
The fading of modern laboratory-synthesized and commercial Prussian blue, iron(iii) hexacyanoferrate...
This review deals with our long-range goal of determining why the Prussian blue pigments, typically ...
peer reviewedPrussian blue, a mixed valence pigment, typically KFeIII[FeII(CN)6].xH2O, was the most ...
Prussian blue, a mixed valence pigment, typically KFeIII[Fe II(CN)6]·xH2O, was the most widely used ...
Beside its promising applications in the design of multifunctional materials, batteries and biosenso...
An investigation for light exposure on pigments in low-oxygen environments (in the range 0–5% oxygen...
Prussian blue, a hydrated iron(III) hexacyanoferrate(II) complex, is a synthetic pigment discovered ...
The necessity of understanding degradation and alteration processes in a painting's materials is wel...
The fading of modern laboratory-synthesized and commercial Prussian blue, iron(III) hexacyanoferrate...
The necessity of understanding degradation and alteration processes in a painting's materials is wel...
Prussian blue is a modern synthetic pigment discovered in Berlin at the beginning of the eighteenth ...
Prussian blue (PB) is an artists’ pigment that has been frequently used in many artworks but poses s...
The pigment Prussian blue is studied in heritage science because of its capricious fading behavior u...
Prussian blue, a hydrated iron(III) hexacyanoferrate(II) complex, is a synthetic pigment discovered ...
Prussian blue (PB) is an artists' pigment that has been frequently used in many artworks but poses s...
The fading of modern laboratory-synthesized and commercial Prussian blue, iron(iii) hexacyanoferrate...
This review deals with our long-range goal of determining why the Prussian blue pigments, typically ...
peer reviewedPrussian blue, a mixed valence pigment, typically KFeIII[FeII(CN)6].xH2O, was the most ...
Prussian blue, a mixed valence pigment, typically KFeIII[Fe II(CN)6]·xH2O, was the most widely used ...
Beside its promising applications in the design of multifunctional materials, batteries and biosenso...
An investigation for light exposure on pigments in low-oxygen environments (in the range 0–5% oxygen...
Prussian blue, a hydrated iron(III) hexacyanoferrate(II) complex, is a synthetic pigment discovered ...
The necessity of understanding degradation and alteration processes in a painting's materials is wel...