SURREALISTIC CONTEXT OF RADOVAN IVIŠIĆ

Radovan Ivšić bio je jedan od rijetkih koji su se na ovim područjima bavili nadrealizmom. Primarno se radi o piscu, ali njegove uske veze s Parizom omogućile su mu da dođe u dodir i sa drugim pristupima nadrealizmu. Miró, Toyen i Skurjeni su najznačajniji umjetnici s kojima je surađivao. Radili su umjetnici koji su se međusobno poznavali i samim tim mogli podrobnije i dublje odraditi svoj dio umjetničke tvorevine. Bitne su godine koje je Ivšić proveo u Parizu u krugu nadrealista gdje su se odvijala značajna druženja po kavanama i prijateljevanje s Bretonom. Napisao je knjigu u kojoj priča svoje uspomene na ta druženja, rasprave, igre i ljude. Revoltirani Ivšić je osim svog realno malog književnog opusa ostavio već navedene memoare, ali postoje i sačuvani sabrani članci o raznim stvarima koje su Ivšića interesirale. Članci sadrže zanimljiva razmišljanja o njegovim suvremenicima, umjetničkim kretanjima u Hrvatskoj, Srbiji i Francuskoj. Cilj ovog diplomskog rada bio je prikazati Ivšićevo stvaralaštvo u jednom širem kontekstu i dati sintezni opis njegovog originalnog stvaralaštva kao i njegovih suradnji.Radovan Ivšić was one of the few who dealt with surrealism in these areas. He was primarily a writer, but his close ties with Paris enabled him to come into contact with other approaches to surrealism. Miro, Toyen and Skurjeni are the most important artists with whom he collaborated. There were artists who knew each other and could go deeper in an artistic creation. The years that Ivšić spent in Paris in the Surrealist Circle are important. There were important gatherings around the cafes and friendship with Breton. He wrote a book in which he talks about his memories of these gatherings, debates, games and people, and about his friendship Breton. Revolted Ivšić left his previously mentioned memoirs apart from his real little literary opus, but there are also preserved articles about everything that Ivšić was interested in. Articles contain interesting reflections on his contemporaries, artistic movements in Croatia, Serbia and France. The aim of this thesis was to present Ivšić's work in a wider context and to give a synthesis description of his original work as well as his collaborations