In this paper i will analyze the role of the interwar Radio Belgrade (1929-1941) in the process of mediation of the Yugoslav idea focusing on the music program. Attention was given to the strategies that music editors and professionals, hired by the radio station management, used in order to create radio shows and repertoires that would contribute to the dominant understanding of Yugoslav national culture and art. Because of the fact that there was no public consensus on the concept of Yugoslav music, radio officials dedicated to music program faced many difficulties while trying to implement it in practice
Pristup uspostavlјanju političkog i kulturnog jedinstva među elitama jugoslovenskih naroda drastičn...
This article deals with the process of creation of symbolic boundaries in the context of designing t...
After the First World War Serbian music was undertaking a new start Everything was new, nothing was ...
The main programming issue faced by Radio Ljubljana was connected to its function: was it a new m...
Rad je napisan u okviru projekta Brendovi u književnosti, jeziku i kulturi (Projekat FIL-1819), iz c...
The paper analyses the role of the radio Belgrade Electronic Studio on the development of experiment...
This paper discusses the role of music and the radio, starting from the hypothesis that the main rol...
On account of its illegal status in the Kingdom of Yugoslavia, the CPY underwent many transformat...
It is worth noting that the important journal of the history of Serbian literature and music, the Se...
Taking an open competition for new symphonic composition organized in Belgrade in 1934–1935 as the f...
Rad prikazuje kako su vrijednosti komunističkoga sustava bile prisutne u skladbama skladatelja klasi...
The text deals with the problems related to the Bulgarian state radio strivings during the socialism...
Between the two World Wars, in Belgrade and Serbia, seven musical jour nals were published: “Music...
The subject of this paper concerns the consideration of the social and artistic position of Serbi...
This paper is dedicated to the investigation of the initial period of the Institute of Musicology...
Pristup uspostavlјanju političkog i kulturnog jedinstva među elitama jugoslovenskih naroda drastičn...
This article deals with the process of creation of symbolic boundaries in the context of designing t...
After the First World War Serbian music was undertaking a new start Everything was new, nothing was ...
The main programming issue faced by Radio Ljubljana was connected to its function: was it a new m...
Rad je napisan u okviru projekta Brendovi u književnosti, jeziku i kulturi (Projekat FIL-1819), iz c...
The paper analyses the role of the radio Belgrade Electronic Studio on the development of experiment...
This paper discusses the role of music and the radio, starting from the hypothesis that the main rol...
On account of its illegal status in the Kingdom of Yugoslavia, the CPY underwent many transformat...
It is worth noting that the important journal of the history of Serbian literature and music, the Se...
Taking an open competition for new symphonic composition organized in Belgrade in 1934–1935 as the f...
Rad prikazuje kako su vrijednosti komunističkoga sustava bile prisutne u skladbama skladatelja klasi...
The text deals with the problems related to the Bulgarian state radio strivings during the socialism...
Between the two World Wars, in Belgrade and Serbia, seven musical jour nals were published: “Music...
The subject of this paper concerns the consideration of the social and artistic position of Serbi...
This paper is dedicated to the investigation of the initial period of the Institute of Musicology...
Pristup uspostavlјanju političkog i kulturnog jedinstva među elitama jugoslovenskih naroda drastičn...
This article deals with the process of creation of symbolic boundaries in the context of designing t...
After the First World War Serbian music was undertaking a new start Everything was new, nothing was ...