Constitutive interrogation of aesthetics is whether the beautiful stands for the universal object of aesthetics, in the way that the good stands for the universal object of ethics. The reason for this issue being raised to debate is that objections may arise upon the central position of the beautiful. In the first place, we dare say art not always achieves the beautiful. There are artistic oeuvres that are not necessarily beautiful. The reply is generally that beauty asserts itself on another plan, as it pertains not to the field of the object, but to its representation
The theory of aesthetic and beauty is very old. It includes taste and principles of pleasure and dis...
The Pythagorean tradition dominates the understanding of beauty up until the end of the 18th Century...
The final thesis aims to develop the question of beauty in Plato. To do so, it tries to gain a prope...
Beauty’s relation to art work is a contentious problem for the philosophy of art. The problem is not...
Four different areas of concern emerge within “ancient aesthetics,” if we take the latter term to de...
Philosophers and commentators of Plato’s works introduce the Ideas (Forms) as Universals that our kn...
This paper pursues the philosophical significance of a relatively unexplored point of Plat...
Plato conceived of the Form of Beauty as quite distinct from the Form of the Good. Beauty was a mean...
This is an 18,500 word bibliography of philosophical scholarship on Beauty which was published onlin...
After years of neglect, a renewed interest in beauty developed among many Western art critics, art p...
Plato conceived of the Form of Beauty as quite distinct from the Form of the Good. Beauty was a mean...
A crux of Plato’s Symposium is how beauty (to kalon) relates to the good. Diotima distinguishes the ...
This article is devoted to the research of the problem of actual for today the problem of the import...
In this paper I consider an understudied form of the design argument which focuses on the beauty of ...
The possibility of aesthetic objectivity is a standard topic within philosophical aesthetics and rai...
The theory of aesthetic and beauty is very old. It includes taste and principles of pleasure and dis...
The Pythagorean tradition dominates the understanding of beauty up until the end of the 18th Century...
The final thesis aims to develop the question of beauty in Plato. To do so, it tries to gain a prope...
Beauty’s relation to art work is a contentious problem for the philosophy of art. The problem is not...
Four different areas of concern emerge within “ancient aesthetics,” if we take the latter term to de...
Philosophers and commentators of Plato’s works introduce the Ideas (Forms) as Universals that our kn...
This paper pursues the philosophical significance of a relatively unexplored point of Plat...
Plato conceived of the Form of Beauty as quite distinct from the Form of the Good. Beauty was a mean...
This is an 18,500 word bibliography of philosophical scholarship on Beauty which was published onlin...
After years of neglect, a renewed interest in beauty developed among many Western art critics, art p...
Plato conceived of the Form of Beauty as quite distinct from the Form of the Good. Beauty was a mean...
A crux of Plato’s Symposium is how beauty (to kalon) relates to the good. Diotima distinguishes the ...
This article is devoted to the research of the problem of actual for today the problem of the import...
In this paper I consider an understudied form of the design argument which focuses on the beauty of ...
The possibility of aesthetic objectivity is a standard topic within philosophical aesthetics and rai...
The theory of aesthetic and beauty is very old. It includes taste and principles of pleasure and dis...
The Pythagorean tradition dominates the understanding of beauty up until the end of the 18th Century...
The final thesis aims to develop the question of beauty in Plato. To do so, it tries to gain a prope...