Codirector Behrouz Boochani offers a critical reflection on Chauka, Please Tell Us the Time in which he discusses the multilayered meanings of the film. He shares his thoughts about his cinematic vision and how it is connected to the land. In this respect, the film cherishes the sanctity of the island’s ecosystem and knowledge system and also criticises the way the Australia-run detention centre degrades nature and the social fabric of the island. Boochani also elaborates on issues pertaining to reception and the way folklore (both Kurdish and Manusian) frames his resistance and critique
This thesis* explores storytelling as cultural expression, and creatively considers the concept of b...
Identifying Kurds since the beginning of the 20th century is challenging. Kurdistan has been separa...
International audience"Gnulla Katitjin Quoppadar Boodjar" is a two-part short documentary produced b...
Codirector Behrouz Boochani offers a critical reflection on Chauka, Please Tell Us the Time in which...
Chauka, Please Tell Us the Time (Behrouz Boochani and Arash Kamali Sarvestani, 2017) is a documentar...
Janet Galbraith appears in the film Chauka, Please Tell Us the Time (Behrouz Boochani and Arash Kama...
The articles in this dossier critically discuss the film Chauka, Please Tell Us the Time (Behrouz Bo...
The elements of folklore are among the important sources that can be used in the film to broad...
Arash Kamali Sarvestani codirected and produced Chauka, Please Tell Us the Time (2017) while residin...
Behrouz Boochani published No Friend but the Mountains: Writing From Manus Prison in 2018 which went...
Inspired by Robert Dixon's volumes on visual culture, colonial modernity and the Pacific, this artic...
Behrouz Boochani published No Friend but the Mountains: Writing From Manus Prison in 2018 which went...
Behrouz Boochani published No Friend but the Mountains: Writing From Manus Prison in 2018 which went...
Australia’s brutal legacy of offshore detention has been marked by tragedy, human rights abuses and ...
The objective of this paper is to authenticate the perception of distortions in the communication of...
This thesis* explores storytelling as cultural expression, and creatively considers the concept of b...
Identifying Kurds since the beginning of the 20th century is challenging. Kurdistan has been separa...
International audience"Gnulla Katitjin Quoppadar Boodjar" is a two-part short documentary produced b...
Codirector Behrouz Boochani offers a critical reflection on Chauka, Please Tell Us the Time in which...
Chauka, Please Tell Us the Time (Behrouz Boochani and Arash Kamali Sarvestani, 2017) is a documentar...
Janet Galbraith appears in the film Chauka, Please Tell Us the Time (Behrouz Boochani and Arash Kama...
The articles in this dossier critically discuss the film Chauka, Please Tell Us the Time (Behrouz Bo...
The elements of folklore are among the important sources that can be used in the film to broad...
Arash Kamali Sarvestani codirected and produced Chauka, Please Tell Us the Time (2017) while residin...
Behrouz Boochani published No Friend but the Mountains: Writing From Manus Prison in 2018 which went...
Inspired by Robert Dixon's volumes on visual culture, colonial modernity and the Pacific, this artic...
Behrouz Boochani published No Friend but the Mountains: Writing From Manus Prison in 2018 which went...
Behrouz Boochani published No Friend but the Mountains: Writing From Manus Prison in 2018 which went...
Australia’s brutal legacy of offshore detention has been marked by tragedy, human rights abuses and ...
The objective of this paper is to authenticate the perception of distortions in the communication of...
This thesis* explores storytelling as cultural expression, and creatively considers the concept of b...
Identifying Kurds since the beginning of the 20th century is challenging. Kurdistan has been separa...
International audience"Gnulla Katitjin Quoppadar Boodjar" is a two-part short documentary produced b...