Add to ORKGThis discussion between Su Goldfish and Doctor Caroline Linette is based on a dossier for Alphaville Issue 18 on the challenges of separation for refugee filmmaking. It is moderated by Doctor Lucia Sorbera. The recording took place at the Esme Timbery Creative Practice Lab at the University of New South Wales, Sydney, Australia on 14 October 2019
The five-minute film Mouth of a Shark (Isobel Blomfield, 2018) conveys a young woman’s experiences a...
A conversation with a PhD student from the Institute for Social Research who has been living on Chri...
Established in 1979 Clean Break Theatre Company create performance with – and advocating for – women...
The origins of this issue of Alphaville lie in collaborations between the Forced Migration Research ...
This roundtable discussion with Flávia Cesarino Costa, Marcela Amaral, Matheus Siqueira and Albert E...
This roundtable discussion with Flávia Cesarino Costa, Marcela Amaral, Matheus Siqueira and Albert E...
This dossier on Challenges of Separation for Refugee Filmmaking includes a number of short pieces an...
This dossier on Challenges of Separation for Refugee Filmmaking includes a number of short pieces an...
Dr. Gwenda Young, lecturer in FIlm and Screen Media at University College Cork talks with the curren...
This issue of Alphaville centres on the work of displaced and exiled filmmakers and directors commit...
Gave a talk as part of the good practices of participatory filmmaking with the asylum seeking youth ...
The Australian performing arts collective Remnant Dance has a partnership with a charity organisatio...
Representing stories through documentary film can offer a means to convey multilayered and sensory a...
Representing stories through documentary film can offer a means to convey multilayered and sensory a...
The scholarship collected in this issue of Alphaville represents a selection of the research that wa...
The five-minute film Mouth of a Shark (Isobel Blomfield, 2018) conveys a young woman’s experiences a...
A conversation with a PhD student from the Institute for Social Research who has been living on Chri...
Established in 1979 Clean Break Theatre Company create performance with – and advocating for – women...
The origins of this issue of Alphaville lie in collaborations between the Forced Migration Research ...
This roundtable discussion with Flávia Cesarino Costa, Marcela Amaral, Matheus Siqueira and Albert E...
This roundtable discussion with Flávia Cesarino Costa, Marcela Amaral, Matheus Siqueira and Albert E...
This dossier on Challenges of Separation for Refugee Filmmaking includes a number of short pieces an...
This dossier on Challenges of Separation for Refugee Filmmaking includes a number of short pieces an...
Dr. Gwenda Young, lecturer in FIlm and Screen Media at University College Cork talks with the curren...
This issue of Alphaville centres on the work of displaced and exiled filmmakers and directors commit...
Gave a talk as part of the good practices of participatory filmmaking with the asylum seeking youth ...
The Australian performing arts collective Remnant Dance has a partnership with a charity organisatio...
Representing stories through documentary film can offer a means to convey multilayered and sensory a...
Representing stories through documentary film can offer a means to convey multilayered and sensory a...
The scholarship collected in this issue of Alphaville represents a selection of the research that wa...
The five-minute film Mouth of a Shark (Isobel Blomfield, 2018) conveys a young woman’s experiences a...
A conversation with a PhD student from the Institute for Social Research who has been living on Chri...
Established in 1979 Clean Break Theatre Company create performance with – and advocating for – women...