Yasmina Reza is a contemporary French playwright who is not indifferent to the richness of humor. Her award-winning plays are portfolios of humorous situations that have attracted the attention of crowds composed of the general public and of academics. Reza turns discussions of art, parenting, existentialism, solitude and tragedy into comedies that distill a feminine humor. The public loves it, laughs and applauds. Inspired by Hélène Cixous’s call to laugh as ‘medusas’ (« A feminine text cannot fail to. . . break up the truth with laughter », and « laughs at the very idea of pronouncing the word silence »), I elaborate on the subtle presence of a feminine voice in Reza’s humor. I also consider the fact that Reza has inherited a Jewish humor...
none2In the mid-seventies, both gender studies and humor studies emerged as new disciplines, with sc...
Although Laure Conan was known primarily as Quebec's first woman novelist, she was also one of only ...
Étudier les plaisirs féminins dans la littérature française de la Renaissance, c’est d’abord faire l...
Virginie Despentes et Chloé Delaume, deux figures importantes de la littérature française contempora...
Establishing a decisive nexus between gender, laughter, and media, this article not only critically ...
French female artists over the last century, including Yvette Guibert, Brigitte Fontaine, Colette Re...
The article reviews the challenges facing translators of humour and of drama. They must identify and...
Yasmina Reza, auteur de théâtre français, reconnue dans le monde entier, a reçu les prix les plus pr...
The article reviews the challenges facing translators of humour and of drama. They must identify and...
French female artists over the last century, including Yvette Guibert, Brigitte Fontaine, Colette Re...
The feminine condition, which comprises all the stereotypes and cultural prejudice, especially in th...
The Dramatic Feminine Discourse of Cristina Escofet interrogates this author's use of language as a ...
Abstract There is no doubt regarding the influence exercized by the work of Emile Cioran upon Yasmin...
L’auteure se penche sur la vague de femmes humoristes qui, de 2003 à 2007, s’emparent de l’espace dé...
Women are the main characters in George Brassens’ songs. As a worthy poet in the tradition of ...
none2In the mid-seventies, both gender studies and humor studies emerged as new disciplines, with sc...
Although Laure Conan was known primarily as Quebec's first woman novelist, she was also one of only ...
Étudier les plaisirs féminins dans la littérature française de la Renaissance, c’est d’abord faire l...
Virginie Despentes et Chloé Delaume, deux figures importantes de la littérature française contempora...
Establishing a decisive nexus between gender, laughter, and media, this article not only critically ...
French female artists over the last century, including Yvette Guibert, Brigitte Fontaine, Colette Re...
The article reviews the challenges facing translators of humour and of drama. They must identify and...
Yasmina Reza, auteur de théâtre français, reconnue dans le monde entier, a reçu les prix les plus pr...
The article reviews the challenges facing translators of humour and of drama. They must identify and...
French female artists over the last century, including Yvette Guibert, Brigitte Fontaine, Colette Re...
The feminine condition, which comprises all the stereotypes and cultural prejudice, especially in th...
The Dramatic Feminine Discourse of Cristina Escofet interrogates this author's use of language as a ...
Abstract There is no doubt regarding the influence exercized by the work of Emile Cioran upon Yasmin...
L’auteure se penche sur la vague de femmes humoristes qui, de 2003 à 2007, s’emparent de l’espace dé...
Women are the main characters in George Brassens’ songs. As a worthy poet in the tradition of ...
none2In the mid-seventies, both gender studies and humor studies emerged as new disciplines, with sc...
Although Laure Conan was known primarily as Quebec's first woman novelist, she was also one of only ...
Étudier les plaisirs féminins dans la littérature française de la Renaissance, c’est d’abord faire l...