The author investigates various ways in which George Gershwin’s music and Ira Gershwin’s lyrics are ingeniously interconnected in two songs: “How Long Has This Been Going On?” (1927) and “Who Cares” (1931). The music’s melodies, motives, harmonies, and forms are tied to the lyrics’ rhymes, alliterations, and semantic meanings. The author demonstrates that the designs found in the songs are multi-directional: notes refer to other notes and words, and words refer to other words and notes; the relations are symmetrical. This article is part of a special, serialized feature: A Music-Theoretical Matrix: Essays in Honor of Allen Forte (Part III)
Popular song at the beginning of the twentieth century exhibited several new tendencies that, over t...
UnrestrictedThe history of musical composition in American culture reveals a complex and diverse set...
This article centres on George Eliot’s allusions to music by two long-dead composers, George Frideri...
Introduced in the 1924 musical comedy Lady Be Good, "Fascinating Rhythm" is a classic example of Geo...
Introduced in the 1924 musical comedy Lady Be Good, "Fascinating Rhythm" is a classic example of Geo...
George Gershwin, one of America\u27s best-loved twentieth-century composers, left a rich legacy of p...
pre-printThe year 1924 was a banner period in the early career of the young George Gershwin. The ast...
The dissertation consists of two parts, an analytical essay and a composition. The essay starts from...
This is a companion piece to an essay on Jerome Kern’s “All the Things You Are,” where an alternativ...
(Excerpt) Part I of this Note discusses the history of American popular song from the late nineteent...
The shift in the American economic viewpoint before and after World War I left an indelible mark on ...
George Gershwin greatly admired Alban Berg and his operaWozzeck. He visited Berg in Vienna; the scor...
Between high culture and popular culture. The music of George Gershwin in Manhattan by Woody Allen T...
This essay offers the editor’s commentary on A Music-Theoretical Matrix: Essays in Honor of Allen Fo...
This essay explores three approaches to “musical writing” from a course called “Writing About Popula...
Popular song at the beginning of the twentieth century exhibited several new tendencies that, over t...
UnrestrictedThe history of musical composition in American culture reveals a complex and diverse set...
This article centres on George Eliot’s allusions to music by two long-dead composers, George Frideri...
Introduced in the 1924 musical comedy Lady Be Good, "Fascinating Rhythm" is a classic example of Geo...
Introduced in the 1924 musical comedy Lady Be Good, "Fascinating Rhythm" is a classic example of Geo...
George Gershwin, one of America\u27s best-loved twentieth-century composers, left a rich legacy of p...
pre-printThe year 1924 was a banner period in the early career of the young George Gershwin. The ast...
The dissertation consists of two parts, an analytical essay and a composition. The essay starts from...
This is a companion piece to an essay on Jerome Kern’s “All the Things You Are,” where an alternativ...
(Excerpt) Part I of this Note discusses the history of American popular song from the late nineteent...
The shift in the American economic viewpoint before and after World War I left an indelible mark on ...
George Gershwin greatly admired Alban Berg and his operaWozzeck. He visited Berg in Vienna; the scor...
Between high culture and popular culture. The music of George Gershwin in Manhattan by Woody Allen T...
This essay offers the editor’s commentary on A Music-Theoretical Matrix: Essays in Honor of Allen Fo...
This essay explores three approaches to “musical writing” from a course called “Writing About Popula...
Popular song at the beginning of the twentieth century exhibited several new tendencies that, over t...
UnrestrictedThe history of musical composition in American culture reveals a complex and diverse set...
This article centres on George Eliot’s allusions to music by two long-dead composers, George Frideri...