\u27The Fire and the Rose are One\u27: The Coherence of the Prophetic Voice in the Poetry of T. S. Eliot

Contrary to much scholarship on T. S Eliot\u27s poetry, I argue that Eliot\u27s work cannot be divided into the two separate categories of before and after The Waste Land. While most of the imagery of Eliot\u27s earlier poems admittedly tends to be much darker than that of his later poems, it is irresponsible to disregard the general bent of the entirety of Eliot\u27s poetry in order to claim that this difference in imagery reflects a total transformation of Eliot\u27s message from one of strict pessimism to one of faith in the Anglican religion. Rather, much biographical and textual evidence shows that both The Waste Land and the Four Quartets take part in the same tradition, with Eliot always keeping the same prophetic aim in mind, that is to awaken a spiritual consciousness in his readers. By examining the influences of Eliot\u27s early studies in pre-reformation Catholicism and medieval Christian mysticism (culminating around 1914), I illustrate the continuing importance of each in both of Eliot\u27s long poems. Most important to my study is the clear and abiding influence of one particular modern work on Christian Mysticism: Evelyn Underhill\u27s Mysticsim: The Preeminent Study in the Nature and Development of Spiritual Consciousness (1911). Analyzing Underhill\u27s work along with The Waste Land and Four Quartets brings to light strong thematic similarities regarding ideas on Christian Mysticism that are present in both of Eliot\u27s greatest poems