Many large cities during the period of World War Two are comparable, so why were Paris and Shanghai chosen for this exhibit? The decision to juxtapose Paris and Shanghai was not a random one. Before the war, both Paris and Shanghai were known as cities of modernity; Paris had the original reputation, with Shanghai receiving the title of “the Paris of the East.” Both cities were hotspots for political radicals and various other forms of “pushing the envelope,” such as fashion or film. The connection of modernity, as well as the experience of occupation by an Axis power during the war, makes these cities ideal and relevant for comparison and contrast
Au début des années 1910, les œuvres de Balzac commencent à être traduites en Chine, Mao Dun devient...
Imagining the future of cities is often an exercise that is based upon the imagining of future trans...
The character of a city derives in substantial part from buildings, groups of buildings and their as...
This exhibit displays the dramatic changes experienced in two distant cities: Paris, France, and Sha...
The Multiple Modernities of Republican Shanghai is an exploration of what it meant to be ‰Û÷modern‰Û...
While the French Concession made up only a small part of the area of Shanghai, most of which did not...
This presentation covers the World War II division of France into occupied an unoccupied zone, focus...
In this paper, I argue that urban modernity is characterized by functional utility and aesthetic ele...
This paper will examine the expanded role Contemporary art has assumed in rebranding Paris, France’s...
The book analyzes the most significant events that have marked the history of the Chinese city, star...
Since its establishment as a treaty-port in 1842 and roughly until the Japanese invasion of China pr...
Shanghai city maps, as for many cities, come as folding maps with an illustrated cover. This illustr...
As cities have evolved over history as a function of human behaviour, they represent the rich socia...
This book sets out to explain how Shanghai emerged from relative obscurity in 1842 to become one of ...
Ged, F. (2014). Shanghai. L'ordinaire et l'extraordinaire (Shanghai. The ordinary and the extraordin...
Au début des années 1910, les œuvres de Balzac commencent à être traduites en Chine, Mao Dun devient...
Imagining the future of cities is often an exercise that is based upon the imagining of future trans...
The character of a city derives in substantial part from buildings, groups of buildings and their as...
This exhibit displays the dramatic changes experienced in two distant cities: Paris, France, and Sha...
The Multiple Modernities of Republican Shanghai is an exploration of what it meant to be ‰Û÷modern‰Û...
While the French Concession made up only a small part of the area of Shanghai, most of which did not...
This presentation covers the World War II division of France into occupied an unoccupied zone, focus...
In this paper, I argue that urban modernity is characterized by functional utility and aesthetic ele...
This paper will examine the expanded role Contemporary art has assumed in rebranding Paris, France’s...
The book analyzes the most significant events that have marked the history of the Chinese city, star...
Since its establishment as a treaty-port in 1842 and roughly until the Japanese invasion of China pr...
Shanghai city maps, as for many cities, come as folding maps with an illustrated cover. This illustr...
As cities have evolved over history as a function of human behaviour, they represent the rich socia...
This book sets out to explain how Shanghai emerged from relative obscurity in 1842 to become one of ...
Ged, F. (2014). Shanghai. L'ordinaire et l'extraordinaire (Shanghai. The ordinary and the extraordin...
Au début des années 1910, les œuvres de Balzac commencent à être traduites en Chine, Mao Dun devient...
Imagining the future of cities is often an exercise that is based upon the imagining of future trans...
The character of a city derives in substantial part from buildings, groups of buildings and their as...