Based on a lecture delivered for the Japan Society for Medieval English Studies, this essay argues for a philological (as opposed to linguistic) approach, which in my view is essential for considering current issues in the study of Old English and the history of English generally. The essay consists of three sections. The first section discusses the approach in general terms, seeing it as part of what has been described by Shigeru Ono as \u27philological history\u27 (as distinct from \u27linguistic history\u27) of English. The second section illustrates this view by examining a few areas that are found, from this point of view, to provide interesting problems of syntax and style in the use of direct and indirect discourse in different genre...
Old English Prose is the fifth issue of the journal Germanic Philology, sponsored by the Italian Ass...
This thesis uses a study of the collocation of words for treasure to address the question of the rel...
Repetitive, sententious, devoid of suspenseful action, Old English narrative is alien to us not only...
Based on a lecture delivered for the Japan Society for Medieval English Studies, this essay argues f...
This article begins by noting that the narrative coherence of literary history as a genre, and the i...
Since the publication of Francis P. Magoun's (1953) seminal article on the formula in Anglo-Saxon na...
The fi rst four sections of this study, which appeared in the May 1986 issue of Oral Tradition, cons...
In this thesis I attempt to trace the development of the criticism of Old English poetic diction and...
This article provides a brief overview of linguopoietics and analyzes the epic poem “Beowulf”. “Beow...
The term Old English is used to describe the language of the AngloSaxons in England from about, say,...
Beowulf is the most famous work in Old English and the most-studied poem in English before The Cant...
This article investigates one of Laȝamon’s most significant transformations of his source material, ...
The present study consists of nine sections, of which the first four appear in this issue. Section I...
A member of the English department at the University of Denver, Alexandra Hennessey Olsen has writte...
For nearly fifty years, the medieval English oral tradition has been one of the most intensely studi...
Old English Prose is the fifth issue of the journal Germanic Philology, sponsored by the Italian Ass...
This thesis uses a study of the collocation of words for treasure to address the question of the rel...
Repetitive, sententious, devoid of suspenseful action, Old English narrative is alien to us not only...
Based on a lecture delivered for the Japan Society for Medieval English Studies, this essay argues f...
This article begins by noting that the narrative coherence of literary history as a genre, and the i...
Since the publication of Francis P. Magoun's (1953) seminal article on the formula in Anglo-Saxon na...
The fi rst four sections of this study, which appeared in the May 1986 issue of Oral Tradition, cons...
In this thesis I attempt to trace the development of the criticism of Old English poetic diction and...
This article provides a brief overview of linguopoietics and analyzes the epic poem “Beowulf”. “Beow...
The term Old English is used to describe the language of the AngloSaxons in England from about, say,...
Beowulf is the most famous work in Old English and the most-studied poem in English before The Cant...
This article investigates one of Laȝamon’s most significant transformations of his source material, ...
The present study consists of nine sections, of which the first four appear in this issue. Section I...
A member of the English department at the University of Denver, Alexandra Hennessey Olsen has writte...
For nearly fifty years, the medieval English oral tradition has been one of the most intensely studi...
Old English Prose is the fifth issue of the journal Germanic Philology, sponsored by the Italian Ass...
This thesis uses a study of the collocation of words for treasure to address the question of the rel...
Repetitive, sententious, devoid of suspenseful action, Old English narrative is alien to us not only...