Add to ORKGThis Note outlines a brief history of graffiti, emphasizes the growing importance of graffiti as an accepted and widespread artistic movement, and applies the copyright requirements under the Copyright Act and the Visual Artists Rights Act to graffiti. Finally, this Note argues that under an incentive-based theory of intellectual property, copyright law should not exclude graffiti when it already fits within statutory law, as this would create inefficiency and contradiction in copyright law, which is meant to continually expand to accept new art forms
This essay focuses on graffiti—the practice of illegal writing and painting on trains, walls, bridge...
Write letters, choose good spots, don’t “bite,” be original, don’t go over, and “get up.” Those six ...
Artists use any surface available to them as a canvas. There is the common: cloth and paper; the mod...
This Note outlines a brief history of graffiti, emphasizes the growing importance of graffiti as an ...
This short note examines whether street and graffiti art can and should be protected by copyright. I...
Graffiti has transformed over the last several decades from a sign of urban blight to a sign of arti...
This paper begins by examining whether illegally-created graffiti art is entitled to copyright prote...
Artists who choose the streets as their canvas—whether to beautify neighborhoods, spark political pr...
This article aims at analyzing to what extent UK copyright law is capable of regulating various form...
This Note argues that outlawing graffiti completely is not an effective solution. The only effective...
The form of graffiti writing on trains and walls is not accidental. Nor is its absence on cars and h...
Common adornments on the sides of freight trains, highway underpasses, and dark alleyways, aerosol p...
The form of graffiti writing on trains and walls is not accidental. Nor is its absence on cars and h...
Street art is having a moment. Once criminalized and ardently combatted by city governments, street ...
With graffiti art booming, artists all around the world want their creations protected. Current copy...
This essay focuses on graffiti—the practice of illegal writing and painting on trains, walls, bridge...
Write letters, choose good spots, don’t “bite,” be original, don’t go over, and “get up.” Those six ...
Artists use any surface available to them as a canvas. There is the common: cloth and paper; the mod...
This Note outlines a brief history of graffiti, emphasizes the growing importance of graffiti as an ...
This short note examines whether street and graffiti art can and should be protected by copyright. I...
Graffiti has transformed over the last several decades from a sign of urban blight to a sign of arti...
This paper begins by examining whether illegally-created graffiti art is entitled to copyright prote...
Artists who choose the streets as their canvas—whether to beautify neighborhoods, spark political pr...
This article aims at analyzing to what extent UK copyright law is capable of regulating various form...
This Note argues that outlawing graffiti completely is not an effective solution. The only effective...
The form of graffiti writing on trains and walls is not accidental. Nor is its absence on cars and h...
Common adornments on the sides of freight trains, highway underpasses, and dark alleyways, aerosol p...
The form of graffiti writing on trains and walls is not accidental. Nor is its absence on cars and h...
Street art is having a moment. Once criminalized and ardently combatted by city governments, street ...
With graffiti art booming, artists all around the world want their creations protected. Current copy...
This essay focuses on graffiti—the practice of illegal writing and painting on trains, walls, bridge...
Write letters, choose good spots, don’t “bite,” be original, don’t go over, and “get up.” Those six ...
Artists use any surface available to them as a canvas. There is the common: cloth and paper; the mod...