Add to ORKGThe article discusses the dichotomy between idea and expression in copyright law in 2012 by focusing on philosopher Johann Gottlieb Fichte\u27s 1793 work Proof of the Unlawfulness of Reprinting: A Rationale and a Parable. The author argues that the legal community has overlooked parts of Fichte\u27s claims and have chosen to only apply personal expression to authors. Originality in authorship is also examined in defining what is and is not covered under U.S. copyright law
In 1899, Augustine Birrell, a Victorian barrister, lamented: The question of copyright has, in thes...
The French and U.S. copyright systems are well known as opposites. The product of the French Revolut...
As exemplified by the articles in this volume, recent scholarship on authorship reflects various i...
The article discusses the dichotomy between idea and expression in copyright law in 2012 by focusing...
It has been suggested that today’s authors need copyright exceptions and limitations more than they ...
The future of intellectual property rights is discussed. The emergence of new technologies will free...
Copyright law employs terms and concepts, such as originality and authorship, which the Romantic...
In the digital environment, copyright law has become trapped in an assessment of what has been taken...
In the digital environment, copyright law has become trapped in an assessment of what has been take...
A substantial body of scholarship has accumulated demonstrating that copyright’s current structure e...
In contemporary debates over copyright, the figure of the author is too-often absent. As a result, t...
In the digital environment, copyright law has become trapped in an assessment of what has been taken...
This article revisits a recent debate in copyright scholarship surrounding the dominant utilitarian-...
In order to be copyrighted, a work of art must be \u27original. Critics have persuasively argued th...
This article contends that a definitive account of originality as a legal construct is not possible ...
In 1899, Augustine Birrell, a Victorian barrister, lamented: The question of copyright has, in thes...
The French and U.S. copyright systems are well known as opposites. The product of the French Revolut...
As exemplified by the articles in this volume, recent scholarship on authorship reflects various i...
The article discusses the dichotomy between idea and expression in copyright law in 2012 by focusing...
It has been suggested that today’s authors need copyright exceptions and limitations more than they ...
The future of intellectual property rights is discussed. The emergence of new technologies will free...
Copyright law employs terms and concepts, such as originality and authorship, which the Romantic...
In the digital environment, copyright law has become trapped in an assessment of what has been taken...
In the digital environment, copyright law has become trapped in an assessment of what has been take...
A substantial body of scholarship has accumulated demonstrating that copyright’s current structure e...
In contemporary debates over copyright, the figure of the author is too-often absent. As a result, t...
In the digital environment, copyright law has become trapped in an assessment of what has been taken...
This article revisits a recent debate in copyright scholarship surrounding the dominant utilitarian-...
In order to be copyrighted, a work of art must be \u27original. Critics have persuasively argued th...
This article contends that a definitive account of originality as a legal construct is not possible ...
In 1899, Augustine Birrell, a Victorian barrister, lamented: The question of copyright has, in thes...
The French and U.S. copyright systems are well known as opposites. The product of the French Revolut...
As exemplified by the articles in this volume, recent scholarship on authorship reflects various i...