James Robbins décrit les études antérieures de la musique traditionnelle au Canada, faisant une brève récapitulation de leur histoire telle que révélée dans les publications précédentes. Il discute quelques fautes communes de celles-ci, et suggère les questions q u’il faut étudier à l’avenir, soulevant les questions de «qui», «quoi», «comment» et «pourquoi» en ce qui concerne Vethnomusicologie canadienne
L'article de David Ennis traite des styles des joueurs de violon de Lanark County, et examine linflu...
La plus vieille musique de violon de Camperville et Ebb et Flow cotole le syncrétisme en montrant cl...
This thesis examines the ways in which Canadian composers have utilized folk music. This practice ca...
Dans la foulée du débat de l’article de James Robbins (paru dans un no du Journal de l’an dernier), ...
Dr. Ida Halpern explique la relation qui existe entre l’ethnomusicologie et l’histoire orale et soul...
This paper examines the genesis of the CJTM/RMFC over its thirty year existence. These “partial” ref...
A problem in ethnomusicology that defies solution is that of influence--was the music we are studyin...
Canadian music is almost completely absent from university-level textbooks used in this country, mos...
It is surprising how easy it is to relate Zeitlin’s discussions about a highly valued, finely made m...
The subject this article is about dates back to a long teaching experience in Montreal. I taught in ...
A glance at the ethnomusicology of the Muslim-majority Middle East might suggest it is peculiarly ex...
Abstract: This paper examines the genesis of the CJTM/RMFC over its thirty year existence. These “pa...
In this review, I discuss a book that was recently published by members of the Study Group on Histor...
In this paper, I share the story of an interactive, digital exhibit called Canary in the Mine: Nova ...
According to Philip Bohlman, “national music reflects the image of the nation so that those living i...
L'article de David Ennis traite des styles des joueurs de violon de Lanark County, et examine linflu...
La plus vieille musique de violon de Camperville et Ebb et Flow cotole le syncrétisme en montrant cl...
This thesis examines the ways in which Canadian composers have utilized folk music. This practice ca...
Dans la foulée du débat de l’article de James Robbins (paru dans un no du Journal de l’an dernier), ...
Dr. Ida Halpern explique la relation qui existe entre l’ethnomusicologie et l’histoire orale et soul...
This paper examines the genesis of the CJTM/RMFC over its thirty year existence. These “partial” ref...
A problem in ethnomusicology that defies solution is that of influence--was the music we are studyin...
Canadian music is almost completely absent from university-level textbooks used in this country, mos...
It is surprising how easy it is to relate Zeitlin’s discussions about a highly valued, finely made m...
The subject this article is about dates back to a long teaching experience in Montreal. I taught in ...
A glance at the ethnomusicology of the Muslim-majority Middle East might suggest it is peculiarly ex...
Abstract: This paper examines the genesis of the CJTM/RMFC over its thirty year existence. These “pa...
In this review, I discuss a book that was recently published by members of the Study Group on Histor...
In this paper, I share the story of an interactive, digital exhibit called Canary in the Mine: Nova ...
According to Philip Bohlman, “national music reflects the image of the nation so that those living i...
L'article de David Ennis traite des styles des joueurs de violon de Lanark County, et examine linflu...
La plus vieille musique de violon de Camperville et Ebb et Flow cotole le syncrétisme en montrant cl...
This thesis examines the ways in which Canadian composers have utilized folk music. This practice ca...