One of Marius Barbeau’s important contributions to heightening awareness of folk music traditions in Canada was his organization and promotion of concerts. These concerts took different forms and involved a range of performers. Concert presentations of folk music, such as those that Barbeau initiated called the Veillées du bon vieux temps, often and typically included a combination of performers. This article examines Barbeau’s “performers,” including classically educated musicians and some of his most prolific, talented informants
This thesis examines the ways in which Canadian composers have utilized folk music. This practice ca...
David A.E. Spalding traite de lhistoire de la chanson traditionnelle dans les prairies et nous fait ...
This article sets forth, for the first time in detail, the life and career of Minette, who was the m...
Abstract: One of Marius Barbeau’s important contributions to heightening awareness of folk music tra...
En 1937, Marius Barbeau (1883-1969) livrait une oeuvre fondatrice, le Romancero du Canada. Inspiré d...
En 1945, Marius Barbeau, pionnier des études folkloriques au Canada, donnait son premier cours à la ...
The contribution of folk-singer Charles Marchand and his “Carillon canadien” to the history o...
Cet article retrace le riche héritage canadien de la grande personnalité de la musique française du ...
L'article de David Ennis traite des styles des joueurs de violon de Lanark County, et examine linflu...
In this paper the author explores the origins, growth and popularity of prominent children’s perform...
Between 1927 and 1931, the Canadian Pacific Railway sponsored at least sixteen major folk festivals ...
peer reviewedThis article is the summary of a lecture given on the 29th conference of the Kommission...
W.A.S. Sarjeant participait souvent aux clubs folkloriques en Angleterre, son pays dorigine, et étai...
Le Professeur T. B. Rogers parle de l’absence d'une collection de chants folkloriques Canadiens-Angl...
D’avril à décembre 1911, Marius Barbeau s’était souvent retrouvé dans l’une ou l’autre des communaut...
This thesis examines the ways in which Canadian composers have utilized folk music. This practice ca...
David A.E. Spalding traite de lhistoire de la chanson traditionnelle dans les prairies et nous fait ...
This article sets forth, for the first time in detail, the life and career of Minette, who was the m...
Abstract: One of Marius Barbeau’s important contributions to heightening awareness of folk music tra...
En 1937, Marius Barbeau (1883-1969) livrait une oeuvre fondatrice, le Romancero du Canada. Inspiré d...
En 1945, Marius Barbeau, pionnier des études folkloriques au Canada, donnait son premier cours à la ...
The contribution of folk-singer Charles Marchand and his “Carillon canadien” to the history o...
Cet article retrace le riche héritage canadien de la grande personnalité de la musique française du ...
L'article de David Ennis traite des styles des joueurs de violon de Lanark County, et examine linflu...
In this paper the author explores the origins, growth and popularity of prominent children’s perform...
Between 1927 and 1931, the Canadian Pacific Railway sponsored at least sixteen major folk festivals ...
peer reviewedThis article is the summary of a lecture given on the 29th conference of the Kommission...
W.A.S. Sarjeant participait souvent aux clubs folkloriques en Angleterre, son pays dorigine, et étai...
Le Professeur T. B. Rogers parle de l’absence d'une collection de chants folkloriques Canadiens-Angl...
D’avril à décembre 1911, Marius Barbeau s’était souvent retrouvé dans l’une ou l’autre des communaut...
This thesis examines the ways in which Canadian composers have utilized folk music. This practice ca...
David A.E. Spalding traite de lhistoire de la chanson traditionnelle dans les prairies et nous fait ...
This article sets forth, for the first time in detail, the life and career of Minette, who was the m...