Although Euro-American musical revivals are usually connected to folk music, the postcolonial Indian revival privileged “classical” music and dance as objects of priceless national heritage. Yet, the revival in India was not a straightforward process of cultural recovery in the wake of occupation. Issues of authority, authenticity and appropriation are woven into the process of reclamation. Through a comparison of this period in Indian dance history with themes in current theories of revival, this article moves towards a model of “revival” as a global phenomenon seeking to broaden our understanding of cultural continuity and change
The first critical study of Kathak dance within the discourses of the modern and the global, tracing...
This article looks at Bollywood dance to explore the production of the commodified bodies of global ...
ABSTRACT This essay discusses contemporary dance in India, foregrounding the link between dance and ...
I n the move from feudal empire to British colony to independent nation in less than 300 years, Indi...
The article aims to examine the extent to which the present day mobility of dance professionals and ...
This dissertation focuses on the role of the classical Indian dance form Kathak in negotiating quest...
This paper discusses South Asian dance forms and genres in Britain, one of the major locations of th...
Hindustani art music as it is practiced in the late 20th and early 21st centuries is affected by par...
This thesis examines the challenges of representing and reproducing classical Indian dances in Finla...
Contemporary dance, a field distinctly known for privileging innovation and experimentation, has had...
Abstract: The twentieth-century “reconstruction” of Indian classical dance forms...
Indian classical dance is a profession and a cultural practice, that is premised on the notion of hi...
The categories of community, nation, tradition and modernity were for nationalist musicologists crit...
In the North Indian state of Uttar Pradesh live rural folk performers who identify themselves as Kat...
Kathak dance is a prominent classical dance of northern India. Indian dances have seen enormous chan...
The first critical study of Kathak dance within the discourses of the modern and the global, tracing...
This article looks at Bollywood dance to explore the production of the commodified bodies of global ...
ABSTRACT This essay discusses contemporary dance in India, foregrounding the link between dance and ...
I n the move from feudal empire to British colony to independent nation in less than 300 years, Indi...
The article aims to examine the extent to which the present day mobility of dance professionals and ...
This dissertation focuses on the role of the classical Indian dance form Kathak in negotiating quest...
This paper discusses South Asian dance forms and genres in Britain, one of the major locations of th...
Hindustani art music as it is practiced in the late 20th and early 21st centuries is affected by par...
This thesis examines the challenges of representing and reproducing classical Indian dances in Finla...
Contemporary dance, a field distinctly known for privileging innovation and experimentation, has had...
Abstract: The twentieth-century “reconstruction” of Indian classical dance forms...
Indian classical dance is a profession and a cultural practice, that is premised on the notion of hi...
The categories of community, nation, tradition and modernity were for nationalist musicologists crit...
In the North Indian state of Uttar Pradesh live rural folk performers who identify themselves as Kat...
Kathak dance is a prominent classical dance of northern India. Indian dances have seen enormous chan...
The first critical study of Kathak dance within the discourses of the modern and the global, tracing...
This article looks at Bollywood dance to explore the production of the commodified bodies of global ...
ABSTRACT This essay discusses contemporary dance in India, foregrounding the link between dance and ...