This paper examines the class and background of the initiators, sponsors and audiences of the theatre in nineteenth century Saint John. The first two categories were filled by and large with members of the elite professional and merchant classes, while the audience varied greatly with the theatre, the year, the company and the play. Repertoire is discussed briefly as is the effect of economic fluctuations on the fortunes of the theatre. Cet exposé examine la classe et les antécédents des initiateurs, des personnes offrant leur patronage et de l'assistance dans le domaine du théâtre de la ville de Saint John au dix-neuvième siècle. Généralement, était comprise dans les deux premières catégories l'élite professionnell...
This thesis places a selection of performances that took place in Toronto’s commercial theatres duri...
In 19th century Britain, the expanding middle classes and their aspirations to distinction through c...
In nineteenth-century The Hague, the French opera performances in the Royal Theatre were the most im...
While performances of Shakespeare were by no means frequent in Halifax and Saint John, except during...
The Saint John theatre riot of 2 April 1845 was caused by Henry W Preston's production of a lost pol...
In the last fifty years of the ancien régime, commercial theater in France was transformed. Provinci...
This study expands the body of knowledge of nineteenth-century American theatre, specifically, provi...
RésuméDans une communication intitulée « Some Observations on the Evolution of Professional Theatre ...
Theatres established throughout New Zealand during the mid-nineteenth century offered colonial audie...
This thesis analyses the development of amateur theatre in Britain in the long nineteenth century an...
Theatrical activity in Prince Edward Island can be dated to 1800 when the Charlotte-Town Amateur The...
Eighteenth-century English men and women ventured to the playhouse for a night of festive revelry an...
This thesis is a survey of theatrical presentations in Saskatoon from 1912 to 1930. No attempt is m...
It is the purpose of this study to provide a written history of legitimate theatre in St. Joseph, Mi...
1879 to 1914 were boom years for professional theatre in Canada; hundreds of companies toured cities...
This thesis places a selection of performances that took place in Toronto’s commercial theatres duri...
In 19th century Britain, the expanding middle classes and their aspirations to distinction through c...
In nineteenth-century The Hague, the French opera performances in the Royal Theatre were the most im...
While performances of Shakespeare were by no means frequent in Halifax and Saint John, except during...
The Saint John theatre riot of 2 April 1845 was caused by Henry W Preston's production of a lost pol...
In the last fifty years of the ancien régime, commercial theater in France was transformed. Provinci...
This study expands the body of knowledge of nineteenth-century American theatre, specifically, provi...
RésuméDans une communication intitulée « Some Observations on the Evolution of Professional Theatre ...
Theatres established throughout New Zealand during the mid-nineteenth century offered colonial audie...
This thesis analyses the development of amateur theatre in Britain in the long nineteenth century an...
Theatrical activity in Prince Edward Island can be dated to 1800 when the Charlotte-Town Amateur The...
Eighteenth-century English men and women ventured to the playhouse for a night of festive revelry an...
This thesis is a survey of theatrical presentations in Saskatoon from 1912 to 1930. No attempt is m...
It is the purpose of this study to provide a written history of legitimate theatre in St. Joseph, Mi...
1879 to 1914 were boom years for professional theatre in Canada; hundreds of companies toured cities...
This thesis places a selection of performances that took place in Toronto’s commercial theatres duri...
In 19th century Britain, the expanding middle classes and their aspirations to distinction through c...
In nineteenth-century The Hague, the French opera performances in the Royal Theatre were the most im...