This article proposes a critical model for the writing of theatre history that explores the relationship between the way a company is designed to produce theatre and its cultural politics and aesthetic objectives. Until there is a more developed and widespread awareness of the range and importance of different production models, the standard model will go on reproducing itself unself-critically. Cet article propose un modèle critique pour l'élaboration d'une histoire du théâtre qui examinerait les rapports entre, d'une part, la façon dont la production scénique est conçue pour une compagnie theâtrale et, de l'autre, les politiques culturelles et les visées esthétiques de cette compagnie. En attendant qu'on se rende mieu...
Although the studies on the history of theatre review and critique have followed different approache...
Although the studies on the history of theatre review and critique have followed different approache...
Dans le premier volet de cet article, Belliveau et Weale expliquent les circonstances qui ont mené à...
National audienceThe article proposes a synthesis of issues that emerged during an action-research p...
Les études historiques sur la critique de théâtre se déclinent sous de multiples approches, toutefoi...
The present article approaches the contemporary problematics around the notion of theatricality; its...
This article is about research on theatre as an ongoing theatrical practice. It discusses the often ...
International audienceThis article intends to reintroduce the artistic dimension in the evaluation o...
International audienceThis article intends to reintroduce the artistic dimension in the evaluation o...
By reviewing the notion of archive (Derrida, 1995) that underlies Theatre History research, performa...
International audience« History of the theatre, histories of the theatres. Writing the history of th...
International audience« History of the theatre, histories of the theatres. Writing the history of th...
International audience« History of the theatre, histories of the theatres. Writing the history of th...
The Theatre Historian in the Mirror: Transformation in the Space of Representatio
The Theatre Historian in the Mirror: Transformation in the Space of Representatio
Although the studies on the history of theatre review and critique have followed different approache...
Although the studies on the history of theatre review and critique have followed different approache...
Dans le premier volet de cet article, Belliveau et Weale expliquent les circonstances qui ont mené à...
National audienceThe article proposes a synthesis of issues that emerged during an action-research p...
Les études historiques sur la critique de théâtre se déclinent sous de multiples approches, toutefoi...
The present article approaches the contemporary problematics around the notion of theatricality; its...
This article is about research on theatre as an ongoing theatrical practice. It discusses the often ...
International audienceThis article intends to reintroduce the artistic dimension in the evaluation o...
International audienceThis article intends to reintroduce the artistic dimension in the evaluation o...
By reviewing the notion of archive (Derrida, 1995) that underlies Theatre History research, performa...
International audience« History of the theatre, histories of the theatres. Writing the history of th...
International audience« History of the theatre, histories of the theatres. Writing the history of th...
International audience« History of the theatre, histories of the theatres. Writing the history of th...
The Theatre Historian in the Mirror: Transformation in the Space of Representatio
The Theatre Historian in the Mirror: Transformation in the Space of Representatio
Although the studies on the history of theatre review and critique have followed different approache...
Although the studies on the history of theatre review and critique have followed different approache...
Dans le premier volet de cet article, Belliveau et Weale expliquent les circonstances qui ont mené à...