To date, critics have tended to read late medieval depictions of Christ's bleeding, post-Passion body as representative of his suffering humanity and merciful divinity. Christ's open body is presented as nurturing, as welcoming and inclusive. However, as metaphor for the collective, the image of the wounded body of Christ did not always emphasize salvic inclusion. The wounded corpus mysticum, Christ's body the Church, presented itself as a community constantly in flux. Christ's wounds functioned not only as welcoming entryways but also as sites of purgation and excision, encouraging in individuals feelings of abjection, vulnerability, and fear
The Life of Christina Mirabilis depicts a series of self-inflicted torments which are seemingly uniq...
The centrality of the bizarre torture of a body in the West’s major faith is relevant to Michel Fouc...
This thesis examines responses to Christ’s gendered flesh that are located not in canonical literary...
Graphic portrayals of the suffering Jesus Christ pervade late medieval English art, literature, dram...
Graphic portrayals of the suffering Jesus Christ pervade late medieval English art, literature, dram...
This thesis analyses images of the suffering Christ between circa 1450 and circa 1550 from across We...
Graphic portrayals of the suffering Jesus Christ pervade late medieval English art, literature, dram...
I will argue that the leprous body was an intermediary to the body of Christ in the minds of late me...
This article develops the concept of Christ not as static body but as chrism for bodies. Christ as c...
This thesis is concerned with the wounds of Christ in devotional images and texts from fifteenth- an...
This thesis is concerned with the wounds of Christ in devotional images and texts from fifteenth- an...
This thesis is concerned with the wounds of Christ in devotional images and texts from fifteenth- an...
In a diverse range of late-fourteenth- and fifteenth-century devotional literature, Christ\u27s body...
This thesis is a Christological reflection on the wounded warrior as a human person whose Christian ...
This article aims at proposing a different reading of the figure of the wounded Christ and of Christ...
The Life of Christina Mirabilis depicts a series of self-inflicted torments which are seemingly uniq...
The centrality of the bizarre torture of a body in the West’s major faith is relevant to Michel Fouc...
This thesis examines responses to Christ’s gendered flesh that are located not in canonical literary...
Graphic portrayals of the suffering Jesus Christ pervade late medieval English art, literature, dram...
Graphic portrayals of the suffering Jesus Christ pervade late medieval English art, literature, dram...
This thesis analyses images of the suffering Christ between circa 1450 and circa 1550 from across We...
Graphic portrayals of the suffering Jesus Christ pervade late medieval English art, literature, dram...
I will argue that the leprous body was an intermediary to the body of Christ in the minds of late me...
This article develops the concept of Christ not as static body but as chrism for bodies. Christ as c...
This thesis is concerned with the wounds of Christ in devotional images and texts from fifteenth- an...
This thesis is concerned with the wounds of Christ in devotional images and texts from fifteenth- an...
This thesis is concerned with the wounds of Christ in devotional images and texts from fifteenth- an...
In a diverse range of late-fourteenth- and fifteenth-century devotional literature, Christ\u27s body...
This thesis is a Christological reflection on the wounded warrior as a human person whose Christian ...
This article aims at proposing a different reading of the figure of the wounded Christ and of Christ...
The Life of Christina Mirabilis depicts a series of self-inflicted torments which are seemingly uniq...
The centrality of the bizarre torture of a body in the West’s major faith is relevant to Michel Fouc...
This thesis examines responses to Christ’s gendered flesh that are located not in canonical literary...