Margaret Laurence's Manawaka novels are marked by an impulse toward self-examination and transformation in the lives of four female protagonists. Following the confessional model, Laurence's first two novels, The Stone Angel, and A Jest of God are written in the first person, but the later two, The Fire-Dwellers and The Diviners, are not. By focalizing through the eyes of the protagonist, narration is expanded in such a way that even her third-person novels attain the immediacy the first-person. Until now, however, the question as to why Laurence makes this shift in narrative voice has not been adequately examined
The introduction to this thesis discusses and evaluates first-person narration in the context of poi...
This article is an attempt to redress critics' neglect of the minor characters in Margaret Laurence'...
Margaret Laurence is a prolific and distinguished novelist hailing from Canada she focuses on the fi...
Critical reception of Margaret Laurence's narrative technique in A Jest of God (1966) has been divid...
Carol Shields's The Stone Diaries foregrounds the problems of writing a woman's autobiography; the n...
Carol Shields's The Stone Diaries foregrounds the problems of writing a woman's autobiography; the n...
Jennifer Lawn summarizes the divergent conceptions -- those of Gérard Genette, Brian McHale, Mieke B...
Jennifer Lawn summarizes the divergent conceptions -- those of Gérard Genette, Brian McHale, Mieke B...
Jennifer Lawn summarizes the divergent conceptions -- those of Gérard Genette, Brian McHale, Mieke B...
In each of her Canadian-set novels, Margaret Laurence features a female protagonist searching for he...
Margaret Laurence orders the world around her through the telling of story, and she shows us, in The...
“My name is Ruth,” begins Marilynne Robinson’s 1980 novel, Housekeeping, echoing the openings of Her...
Margaret Atwood's The Edible Woman is written in both first-person singular and in the third person,...
dissertationContrary to Ian Watt, Michael McKeon, Franco Moretti, and others who see the novel as ma...
Margaret Atwood's The Edible Woman is written in both first-person singular and in the third person,...
The introduction to this thesis discusses and evaluates first-person narration in the context of poi...
This article is an attempt to redress critics' neglect of the minor characters in Margaret Laurence'...
Margaret Laurence is a prolific and distinguished novelist hailing from Canada she focuses on the fi...
Critical reception of Margaret Laurence's narrative technique in A Jest of God (1966) has been divid...
Carol Shields's The Stone Diaries foregrounds the problems of writing a woman's autobiography; the n...
Carol Shields's The Stone Diaries foregrounds the problems of writing a woman's autobiography; the n...
Jennifer Lawn summarizes the divergent conceptions -- those of Gérard Genette, Brian McHale, Mieke B...
Jennifer Lawn summarizes the divergent conceptions -- those of Gérard Genette, Brian McHale, Mieke B...
Jennifer Lawn summarizes the divergent conceptions -- those of Gérard Genette, Brian McHale, Mieke B...
In each of her Canadian-set novels, Margaret Laurence features a female protagonist searching for he...
Margaret Laurence orders the world around her through the telling of story, and she shows us, in The...
“My name is Ruth,” begins Marilynne Robinson’s 1980 novel, Housekeeping, echoing the openings of Her...
Margaret Atwood's The Edible Woman is written in both first-person singular and in the third person,...
dissertationContrary to Ian Watt, Michael McKeon, Franco Moretti, and others who see the novel as ma...
Margaret Atwood's The Edible Woman is written in both first-person singular and in the third person,...
The introduction to this thesis discusses and evaluates first-person narration in the context of poi...
This article is an attempt to redress critics' neglect of the minor characters in Margaret Laurence'...
Margaret Laurence is a prolific and distinguished novelist hailing from Canada she focuses on the fi...