Margaret Atwood's Alias Grace brims with references to the act of narration. Private and public narration intersect in Grace's tale, which cannot be said to be truly private or public, but which moves along a continuum between these two poles. In three realms, narrative transmission, her perception of her ethnic identity, and her adoption of gender roles, there is a movement away from the public toward the private. The mixture of public and private voice in Grace's narration is not merely a curiosity, but demonstrates Grace's unfulfilled needs for privacy and intimacy
The central tenet of the study is that language and madness are bound together, language both inclu...
This analysis of Margaret Atwood's appropriation of history is limited to two of her works, The Hand...
Grace Marks was a convicted double murderer in nineteenth-century Canada. Her case was well known at...
In her ninth novel, Alias Grace, Margaret Atwood shifts her perspective on the Canadian past and rec...
Postmodern fiction demonstrates a suspicion about the narrative status of history. Arguably, its pro...
The unreliable narrator, a category with a question mark since the 1960s when it was identified by W...
Margaret Atwood\u27s fiction explores whether or not the female voice can move outside the marginal ...
In 1843, a 16-year-old Canadian housemaid named Grace Marks was tried for the murder of her employer...
Bibliography: leaves 53.In the Introduction of this minor dissertation, Margaret Atwood as a post-mo...
Silence is a concept both praised and criticised when put to practice. The latest trends in society ...
Margaret Atwood’s Alias Grace rewrites Nathaniel Hawthorne’s The Scarlet Letter. Both Grace Marks an...
This thesis project discusses the literary work of Margaret Atwood, specifically highlighting Alias ...
Margaret Atwood's novel Alias Grace, by exploring the story of Grace Marks through an authorial mosa...
Alias Grace, a novel by Margaret Atwood demonstrates the most sensational murder case of the mid nin...
Although difficult to universally characterize Margaret Atwood as a feminist postmodern writer, thre...
The central tenet of the study is that language and madness are bound together, language both inclu...
This analysis of Margaret Atwood's appropriation of history is limited to two of her works, The Hand...
Grace Marks was a convicted double murderer in nineteenth-century Canada. Her case was well known at...
In her ninth novel, Alias Grace, Margaret Atwood shifts her perspective on the Canadian past and rec...
Postmodern fiction demonstrates a suspicion about the narrative status of history. Arguably, its pro...
The unreliable narrator, a category with a question mark since the 1960s when it was identified by W...
Margaret Atwood\u27s fiction explores whether or not the female voice can move outside the marginal ...
In 1843, a 16-year-old Canadian housemaid named Grace Marks was tried for the murder of her employer...
Bibliography: leaves 53.In the Introduction of this minor dissertation, Margaret Atwood as a post-mo...
Silence is a concept both praised and criticised when put to practice. The latest trends in society ...
Margaret Atwood’s Alias Grace rewrites Nathaniel Hawthorne’s The Scarlet Letter. Both Grace Marks an...
This thesis project discusses the literary work of Margaret Atwood, specifically highlighting Alias ...
Margaret Atwood's novel Alias Grace, by exploring the story of Grace Marks through an authorial mosa...
Alias Grace, a novel by Margaret Atwood demonstrates the most sensational murder case of the mid nin...
Although difficult to universally characterize Margaret Atwood as a feminist postmodern writer, thre...
The central tenet of the study is that language and madness are bound together, language both inclu...
This analysis of Margaret Atwood's appropriation of history is limited to two of her works, The Hand...
Grace Marks was a convicted double murderer in nineteenth-century Canada. Her case was well known at...