The interview focuses largely on Thomas O'Grady's first collection of poetry What Really Matters. He discusses ideas of home and exile, Prince Edward Island and Island literature, the idea of language and its relation to place, family history, and academics. O'Grady's use of the formalist and the Romantic tradition is considered
Text of a talk, Irish Literature: A Brief Survey, given by Professor William T. O\u27Malley at the...
As an Irish poet writing during the twentieth century, Seamus Heaney is constantly aware of the poli...
AN ABSTRACT OF THE DISSERTATION OF DAVID KELLY, for the Doctor of Philosophy degree in ENGLISH, pre...
The islands off the west of Ireland have always been regarded as a sanctuary of Irish identity. Havi...
This paper compares similarities between the poetry and perspectives of John Montague and Nuala Ni D...
From the 2013 Editor\u27s Note by Padraig O\u27Malley: Shaun O’Connell has lost none of his touch. I...
The article examines the application and exploration of Ulster dialects in the work of two poets of ...
The culture someone grows up in helps to define that person, for better or for worse. This culture s...
Seamus Heaney's need to declare poetic independence comes primarily from his Ulster heritage, an Iri...
From the Editor\u27s Note by Padraig O\u27Malley: Shaun O’Connell has lost none of his touch. In “Ho...
The paper addresses Tomás O’Crohan’s The Islandman (1929) as a representative of Irish native autobi...
Seamus Heaney explores the historical and cultural origins of his native territory. His poems link t...
This special number of The South Carolina Review (vol. 43, no. 1, fall 2010), guest-edited by Cather...
This paper examines the matter of Ireland in Buckley’s two memoirs, Cutting Green Hay (1983) a...
The writings of Tomas O\u27Crohan in the early twentieth century were celebrated upon publication as...
Text of a talk, Irish Literature: A Brief Survey, given by Professor William T. O\u27Malley at the...
As an Irish poet writing during the twentieth century, Seamus Heaney is constantly aware of the poli...
AN ABSTRACT OF THE DISSERTATION OF DAVID KELLY, for the Doctor of Philosophy degree in ENGLISH, pre...
The islands off the west of Ireland have always been regarded as a sanctuary of Irish identity. Havi...
This paper compares similarities between the poetry and perspectives of John Montague and Nuala Ni D...
From the 2013 Editor\u27s Note by Padraig O\u27Malley: Shaun O’Connell has lost none of his touch. I...
The article examines the application and exploration of Ulster dialects in the work of two poets of ...
The culture someone grows up in helps to define that person, for better or for worse. This culture s...
Seamus Heaney's need to declare poetic independence comes primarily from his Ulster heritage, an Iri...
From the Editor\u27s Note by Padraig O\u27Malley: Shaun O’Connell has lost none of his touch. In “Ho...
The paper addresses Tomás O’Crohan’s The Islandman (1929) as a representative of Irish native autobi...
Seamus Heaney explores the historical and cultural origins of his native territory. His poems link t...
This special number of The South Carolina Review (vol. 43, no. 1, fall 2010), guest-edited by Cather...
This paper examines the matter of Ireland in Buckley’s two memoirs, Cutting Green Hay (1983) a...
The writings of Tomas O\u27Crohan in the early twentieth century were celebrated upon publication as...
Text of a talk, Irish Literature: A Brief Survey, given by Professor William T. O\u27Malley at the...
As an Irish poet writing during the twentieth century, Seamus Heaney is constantly aware of the poli...
AN ABSTRACT OF THE DISSERTATION OF DAVID KELLY, for the Doctor of Philosophy degree in ENGLISH, pre...