Julia Kristeva's conception of "poetic language" can be useful in illustrating how the provisionality of language expands the poem into a dialogical poetics. Poetic language reveals the heterogeneity of not only desire but also the speaking/desiring subject. In the poetry of Daphne Marlatt, Robert Kroetsch, and Tim Lilburn, the heterogeneity of desire clearly propels the poem into what Kristeva describes as "metaphorical shifting" through which metaphors and episodes conflate and become "carnivalesque.
The theme of strangeness has appeared in Julia Kristeva's work both explicitly and implicitly in var...
This paper invites several U.S. nature writers—notably Peter Matthiessen, Terry Tempest Williams and...
The article offers an analysis of the concept of “intertext” that has been put forward by Julia Kri...
Julia Kristeva's semiotic and symbolic poles of language deal with the affective and denotative aspe...
Julia Kristeva's semiotic and symbolic poles of language deal with the affective and denotative...
This thesis aims to analyze poems by Emily Dickinson and John Milton according to Julia Kristeva’s t...
Kristeva, in her work, Revolution in Poetic Language, analyses nineteenth-century avant-garde poetic...
As early as 1969 in Semeiotiké Julia Kristeva had already attempted a sort of short-circuit by conn...
This reading of Gwyneth Lewis (born 1959) and Medbh McGuckian (born 1950) considers language and ide...
Julia Kristeva explores the theme of love in her book Tales of Love (1987). The recurring thought in...
In the wake of the ‘linguistic turn’, this paper argues, the twentieth century experienced a ‘poetic...
Tennessee Williams‟s plays have frequently been criticized for overt use of poetic language and his ...
Adrienne Rich (1929-2012), a radical feminist poet in the United States, was credited with her pow...
As presented in the early work, 'Revolution in Poetic Language,' Julia Kristeva’s 'subject-in-proces...
Poetry is art that employs language and language structures to explore what it is to be alive. What ...
The theme of strangeness has appeared in Julia Kristeva's work both explicitly and implicitly in var...
This paper invites several U.S. nature writers—notably Peter Matthiessen, Terry Tempest Williams and...
The article offers an analysis of the concept of “intertext” that has been put forward by Julia Kri...
Julia Kristeva's semiotic and symbolic poles of language deal with the affective and denotative aspe...
Julia Kristeva's semiotic and symbolic poles of language deal with the affective and denotative...
This thesis aims to analyze poems by Emily Dickinson and John Milton according to Julia Kristeva’s t...
Kristeva, in her work, Revolution in Poetic Language, analyses nineteenth-century avant-garde poetic...
As early as 1969 in Semeiotiké Julia Kristeva had already attempted a sort of short-circuit by conn...
This reading of Gwyneth Lewis (born 1959) and Medbh McGuckian (born 1950) considers language and ide...
Julia Kristeva explores the theme of love in her book Tales of Love (1987). The recurring thought in...
In the wake of the ‘linguistic turn’, this paper argues, the twentieth century experienced a ‘poetic...
Tennessee Williams‟s plays have frequently been criticized for overt use of poetic language and his ...
Adrienne Rich (1929-2012), a radical feminist poet in the United States, was credited with her pow...
As presented in the early work, 'Revolution in Poetic Language,' Julia Kristeva’s 'subject-in-proces...
Poetry is art that employs language and language structures to explore what it is to be alive. What ...
The theme of strangeness has appeared in Julia Kristeva's work both explicitly and implicitly in var...
This paper invites several U.S. nature writers—notably Peter Matthiessen, Terry Tempest Williams and...
The article offers an analysis of the concept of “intertext” that has been put forward by Julia Kri...