Following Kant, Hegel and Stendhal, Victor Hugo establishes the basis for Romantic Drama in France. The study of Hernani and of Ruy Blas reveals an écriture mediated mostly by the categories of carnivalisation. Thus, Victor Hugo interprets the classic tradition to depart from it and define the future of the forms and values and proposes, in Do Groteco et do sublime, a new canon for his own tradition. Keywords: Romanticism and Liberalism. Carnivalisation. Canon and subversion. Reception and value.Na esteira de Kant, Hegel e Stendhal, V. Hugo estabelece os fundamentos do drama romântico na França. O exame de Hernani e de Ruy Blas revela uma escritura mediada sobretudo pelas categorias da carnavalização. Assim, V. Hugo lê a tradição clássica...
In the late nineteenth century, the rules governing the artistic creation collapse and the artist ex...
This paper presents a panorama of the French aestheticism at the end of the 19th century, a movement...
This article is inserted in the analysis of cultural practices as well as their representations, as ...
The article analyzes the carnival music during the period from the 20s to the 70s, focusing on the c...
This paper proposes a reading of Phèdre, a tragic masterpiece by Jean Racine, focusing on three scen...
The Greek-roman culture understood the Universe and its phenomena through myths; gods and semi-gods ...
The important place conquered by the feuilleton in the nineteenth-century France, as well as in othe...
In the nineteenth century, dance and music required a degree of autonomy from other arts, especially...
When Flaubert was writing “Sentimental Education”, he sent a letter to the writer Leroyer de Chantep...
Discussions on the concept of fantastic expand beyond fiction. Anthropology and Philosophy, accordin...
This article aims to analyse thepainting L’origine du monde (“The origin of theworld”) by the master...
The legacy left by great literature authors finds dialog with writers who regard fashion nowadays as...
La Vénus d’Ille, a short story by Prosper Mérimée, is the study object of an approach of the Fantast...
Taking the widely spread belief that Brazilian carnival is the most representative form of carnival ...
Against the demand for a progressive and utilitarian attitude in the arts, Théophile Gautier refuses...
In the late nineteenth century, the rules governing the artistic creation collapse and the artist ex...
This paper presents a panorama of the French aestheticism at the end of the 19th century, a movement...
This article is inserted in the analysis of cultural practices as well as their representations, as ...
The article analyzes the carnival music during the period from the 20s to the 70s, focusing on the c...
This paper proposes a reading of Phèdre, a tragic masterpiece by Jean Racine, focusing on three scen...
The Greek-roman culture understood the Universe and its phenomena through myths; gods and semi-gods ...
The important place conquered by the feuilleton in the nineteenth-century France, as well as in othe...
In the nineteenth century, dance and music required a degree of autonomy from other arts, especially...
When Flaubert was writing “Sentimental Education”, he sent a letter to the writer Leroyer de Chantep...
Discussions on the concept of fantastic expand beyond fiction. Anthropology and Philosophy, accordin...
This article aims to analyse thepainting L’origine du monde (“The origin of theworld”) by the master...
The legacy left by great literature authors finds dialog with writers who regard fashion nowadays as...
La Vénus d’Ille, a short story by Prosper Mérimée, is the study object of an approach of the Fantast...
Taking the widely spread belief that Brazilian carnival is the most representative form of carnival ...
Against the demand for a progressive and utilitarian attitude in the arts, Théophile Gautier refuses...
In the late nineteenth century, the rules governing the artistic creation collapse and the artist ex...
This paper presents a panorama of the French aestheticism at the end of the 19th century, a movement...
This article is inserted in the analysis of cultural practices as well as their representations, as ...