During the twentieth century, history approached images as documents in many ways, but omitted the epistemological conditions images offered in their complexity and which became a central part of scientific reflection. One of the aspects which determine an image is, in fact, the one that should be more involved in historical reflection: time. Based on the thoughts of Walter Benjamin, Gilles Deleuze and Aby Warburg, it is possible to find, through the anachronism of images, new clues to understand the past. How can we propose a history of images that involves timelessness as an epistemological condition of the discipline
The Photographic Image and Its Meaning for Historical Knowledge. The topic of the thesis is the thus...
The Author starts with a thesis that photography and modern historiography developed at the same tim...
\uabAnother Sun\ubb. History of images and history of perception. \uabI do not know whether at that ...
No século XX, a história abordou de múltiplas maneiras a imagem como documento, mas foram omitidas a...
The Immobility of the image-object invites us to consider it incompetent when it comes to representi...
One of the main theoretical proposals by Georges Didi-Huberman is his intent of thinking art’s ...
Este trabalho estuda as imagens dialéticas - história, tempo, alegoria e melancolia - concebidas por...
Figures of historical time and instances of the method. The paper highlights the interaction between...
Este artículo intenta adentrarse en la teoría de la imágenes de Aby Warburg por medio de la consider...
Georges Didi-Huberman piensa la historia en articulación con su conceptualización de la imagen desde...
Before the increasing presence that it has in our life, the production and circulation of images, so...
Proceeding onwards from a survey of the current state of the debate on the function of representatio...
Este artigo aborda as fases da história da fotografia propostas por Walter Benjamin, no ensaio Peque...
How to teach to think about time, historical time and its multiple components? To navigate this rest...
The optical unconscious studied by Walter Benjamin and Rosalind Krauss implies a visual instantaneit...
The Photographic Image and Its Meaning for Historical Knowledge. The topic of the thesis is the thus...
The Author starts with a thesis that photography and modern historiography developed at the same tim...
\uabAnother Sun\ubb. History of images and history of perception. \uabI do not know whether at that ...
No século XX, a história abordou de múltiplas maneiras a imagem como documento, mas foram omitidas a...
The Immobility of the image-object invites us to consider it incompetent when it comes to representi...
One of the main theoretical proposals by Georges Didi-Huberman is his intent of thinking art’s ...
Este trabalho estuda as imagens dialéticas - história, tempo, alegoria e melancolia - concebidas por...
Figures of historical time and instances of the method. The paper highlights the interaction between...
Este artículo intenta adentrarse en la teoría de la imágenes de Aby Warburg por medio de la consider...
Georges Didi-Huberman piensa la historia en articulación con su conceptualización de la imagen desde...
Before the increasing presence that it has in our life, the production and circulation of images, so...
Proceeding onwards from a survey of the current state of the debate on the function of representatio...
Este artigo aborda as fases da história da fotografia propostas por Walter Benjamin, no ensaio Peque...
How to teach to think about time, historical time and its multiple components? To navigate this rest...
The optical unconscious studied by Walter Benjamin and Rosalind Krauss implies a visual instantaneit...
The Photographic Image and Its Meaning for Historical Knowledge. The topic of the thesis is the thus...
The Author starts with a thesis that photography and modern historiography developed at the same tim...
\uabAnother Sun\ubb. History of images and history of perception. \uabI do not know whether at that ...