Copyright issues are litigated in the United States every day. Yet attorneys representing visual artists settle suits more often when those suits involve the potential of a copyright infringement, partly because of the relatively few decisions on the matter. In Harney v. Sony Pictures, Inc., the First Circuit found that a copyrighted photograph could be copied to look nearly the same as the original because the copied elements were each unprotectable under the copyright. The copyright protected only those elements of the photo that were the result of the photographer’s choices in depicting the subject. The court held that the placement of the subjects in the frame of the photo was the only protected feature shared by the recreation, and thi...
Professor Rebecca Tushnet’s recent article Worth a Thousand Words: The Image of Copyright elucidates...
Not all copying constitutes copyright infringement. Quite independent of fair use, copyright law req...
This article contends that a definitive account of originality as a legal construct is not possible ...
Before imposing liability for copyright infringement, a court analyzes whether the defendant’s alleg...
Traditionally courts have place great weight on the issue of substantial similarity in adjudicating ...
Courts initial reactions play a major role in the assessment of copyright protection. A quick recogn...
Copyright law lacks a coherent method to determine non-literal infringement. The core inquiry, “subs...
Courts and commentators have lavished attention on the question of what makes a photograph original ...
In copyright law, the marriage of beauty and utility often proves fraught. Domestic and internationa...
Substantial similarity, an analysis of the similarity between two works, is the fulcrum of copyright...
Over twenty years ago, in Leicester v. Warner Bros., the Ninth Circuit limited copyright protection ...
In copyright law, the marriage of beauty and utility often proves fraught. Domestic and internationa...
Only Part of the Picture: A Response to Rebecca Tushnet’s Worth a Thousand Words: The Images of Cop...
Copyright law’s requirement of substantial similarity requires a court to satisfy itself that a defe...
From 1909 to 1930, U.S. courts grappled with claims by authors of prose works claiming that works in...
Professor Rebecca Tushnet’s recent article Worth a Thousand Words: The Image of Copyright elucidates...
Not all copying constitutes copyright infringement. Quite independent of fair use, copyright law req...
This article contends that a definitive account of originality as a legal construct is not possible ...
Before imposing liability for copyright infringement, a court analyzes whether the defendant’s alleg...
Traditionally courts have place great weight on the issue of substantial similarity in adjudicating ...
Courts initial reactions play a major role in the assessment of copyright protection. A quick recogn...
Copyright law lacks a coherent method to determine non-literal infringement. The core inquiry, “subs...
Courts and commentators have lavished attention on the question of what makes a photograph original ...
In copyright law, the marriage of beauty and utility often proves fraught. Domestic and internationa...
Substantial similarity, an analysis of the similarity between two works, is the fulcrum of copyright...
Over twenty years ago, in Leicester v. Warner Bros., the Ninth Circuit limited copyright protection ...
In copyright law, the marriage of beauty and utility often proves fraught. Domestic and internationa...
Only Part of the Picture: A Response to Rebecca Tushnet’s Worth a Thousand Words: The Images of Cop...
Copyright law’s requirement of substantial similarity requires a court to satisfy itself that a defe...
From 1909 to 1930, U.S. courts grappled with claims by authors of prose works claiming that works in...
Professor Rebecca Tushnet’s recent article Worth a Thousand Words: The Image of Copyright elucidates...
Not all copying constitutes copyright infringement. Quite independent of fair use, copyright law req...
This article contends that a definitive account of originality as a legal construct is not possible ...